Showing posts with label rome. Show all posts
Showing posts with label rome. Show all posts

Friday, 9 August 2013

[Looking Back] The Borgia Apartments, The Vatican

Due to a bit of writers block I thought I would share a post I did a while ago, all about my trip to the Borgia apartments at the Vatican.

The Disputation of St Catherine - Pinturicchio

After Rodrigo Borgia became Pope in 1492, he planned a whole new set of rooms for his personal use. These rooms still exist today, and in them survive a fascinating insight into the Borgia mindset. The walls are covered in frescoes of the Borgia bull, and the entire set of apartments show the Spanish roots of the new Pope - the floor tiles were imported especially from Spain, giving the rooms a completely Spanish look, and mixed in with the frescoes of the Borgia bull are are representations of the Aragonese double crown, to which they added sun rays or flames mixed in a grazing bull.

The Borgia Bull, Borgia Apartments (picture by me)

The Borgia Bull and the Aragonese Crown, Borgia Apartments (picture by me)

Spanish Tiles, Borgia Apartments (picture by me)

Borgia Coat of Arms, Borgia Apartments (picture by me)

As can be seen from the pictures above, Pope Alexander made sure the family device was everywhere - gilded Borgia bulls on the ceiling in a repeated pattern with the Aragonese arms, Spanish tiles all over the floors as well as gilded stucco frames around the frescoes. The entire space was created to reflect the pride Alexander felt in his family name, pride at their Spanish origins and the huge ambition that he had for himself and his family.

Quite possibly, the most impressive monument to the Borgia family surviving in those set of rooms hidden away in the Vatican (and used to house a contemporary art gallery, I wasn't too impressed with that!) are the frescoes that surround the walls of the main room.

The Disputation of St Catherine, Pinturicchio (Picture by me)

After his election to the Chair of St Peter in 1492, Pope Alexander hired Bernadino di Betto di Biagio (better known as Pinturicchio) to paint his new apartments. Pinturicchio was an incredibly talented artist from Sienna, and one of the most sought after artists in his day and had even assisted in the painting of the Sistine Chapel. And whilst some weren't all that impressed with his works, the Pope certainly was.

The most famous fresco is the one shown above: The Disputation of St Catherine. And it is the biggest testament to the Borgia family in the room, simply because it contains images of the Borgia family. Most are dressed in the Turkish fashion whilst St Catherine (Said to be an image of Lucrezia, and I have to say I agree wholeheartedly) argues against the Pagan emperor. 

The entire image is full of imagery - in the centre stands a triumphal arch based on the Arch of Constantine and sat atop it is the Borgia bull. The arch of Constantine is an incredible monument to Christianity - the arch itself (still standing outside the Colosseum) was built as a celebration of Constantine's victory at the Battle of the Milvian Bridge which established Christianity as the official religion of the Roman Empire. In essence, it's place in the painting is saying that the Borgia family are as important to Christianity as Constantine was - reinforced by the Borgia bull sat right on top of said arch. And not only are members of Alexander's family depicted (Lucrezia, Cesare, Juan, Joffre and Sancia) but also other members of the papal entourage and it is said, though I haven't yet found a source for this and will update as and when I do, that the man sat in the chair is actually a self portrait of Pinturicchio himself.

As for the imagery of the family, the main figure in the painting is St Catherine. She is portrayed as blonde, the known hair colour of Lucrezia Borgia, and this image has long been traditionally held as an image of Lucrezia although there is, of course, no certainty of this.

Detail of St Catherine showing the supposed figures of Lucrezia and Cesare (Picture by me)

The figure behind her, dressed in Turkish robes and glaring out, is said to be an image of Cesare Borgia while the figure on the left hand side (the right as we look at it) is traditionally held to be an image of Juan Borgia, second Duke of Gandia.

Detail of the figure said to be Juan Borgia in The Disputation of St Catherine

The two diminutive figures at the front of the painting are said to be of Joffre Borgia and his wife, Sancia of Aragon.

Figures said to be of Jofre Borgia and Sancia of Aragon from The Disputation of St Catherine

Pope Alexander himself is not shown in the Disputation of St Catherine. He is however shown in the fresco "Resurrection", in which he witnesses the Resurrection of Christ during a moment of prayer. He has his hands clasped in prayer, dressed in embroidered robes and his papal tiara on the floor before him. Pinturicchio also painted another portrait of Alexander above a doorway adoring a beautiful virgin who, according to Vasari was given the face of Giulia Farnese. This portrait however was destroyed when the room it was in, was destroyed for other building works.

The Resurrection by Pinturicchio

Detail of Pope Alexander VI, Pinturicchio

In all then, the Borgia apartments are a testament to the sheer self belief of the Borgia family, their belief in unbridled power and the pride that Alexander felt in his family origins. 

And one last picture from my visit last year, though this could have been carved at an point throughout the room's history - a gaming board carved into a windowsill which I found to be incredibly interesting. I have no idea how the game was played but it certainly looks interesting!

Random gaming board in the Borgia Apartments (Picture by me)

Further reading

Thursday, 31 January 2013

The Borgia Apartments In The Vatican

The Disputation of St Catherine - Pinturicchio

After Rodrigo Borgia became Pope in 1492, he planned a whole new set of rooms for his personal use. These rooms still exist today, and in them survive a fascinating insight into the Borgia mindset. The walls are covered in frescoes of the Borgia bull, and the entire set of apartments show the Spanish roots of the new Pope - the floor tiles were imported especially from Spain, giving the rooms a completely Spanish look, and mixed in with the frescoes of the Borgia bull are are representations of the Aragonese double crown, to which they added sun rays or flames mixed in a grazing bull.

The Borgia Bull, Borgia Apartments (picture by me)

The Borgia Bull and the Aragonese Crown, Borgia Apartments (picture by me)

Spanish Tiles, Borgia Apartments (picture by me)

Borgia Coat of Arms, Borgia Apartments (picture by me)

As can be seen from the pictures above, Pope Alexander made sure the family device was everywhere - gilded Borgia bulls on the ceiling in a repeated pattern with the Aragonese arms, Spanish tiles all over the floors as well as gilded stucco frames around the frescoes. The entire space was created to reflect the pride Alexander felt in his family name, pride at their Spanish origins and the huge ambition that he had for himself and his family.

Quite possibly, the most impressive monument to the Borgia family surviving in those set of rooms hidden away in the Vatican (and used to house a contemporary art gallery, I wasn't too impressed with that!) are the frescoes that surround the walls of the main room.

The Disputation of St Catherine, Pinturicchio (Picture by me)

After his election to the Chair of St Peter in 1492, Pope Alexander hired Bernadino di Betto di Biagio (better known as Pinturicchio) to paint his new apartments. Pinturicchio was an incredibly talented artist from Sienna, and one of the most sought after artists in his day and had even assisted in the painting of the Sistine Chapel. And whilst some weren't all that impressed with his works, the Pope certainly was.

The most famous fresco is the one shown above: The Disputation of St Catherine. And it is the biggest testament to the Borgia family in the room, simply because it contains images of the Borgia family. Most are dressed in the Turkish fashion whilst St Catherine (Said to be an image of Lucrezia, and I have to say I agree wholeheartedly) argues against the Pagan emperor. 

The entire image is full of imagery - in the centre stands a triumphal arch based on the Arch of Constantine and sat atop it is the Borgia bull. The arch of Constantine is an incredible monument to Christianity - the arch itself (still standing outside the Colosseum) was built as a celebration of Constantine's victory at the Battle of the Milvian Bridge which established Christianity as the official religion of the Roman Empire. In essence, it's place in the painting is saying that the Borgia family are as important to Christianity as Constantine was - reinforced by the Borgia bull sat right on top of said arch. And not only are members of Alexander's family depicted (Lucrezia, Cesare, Juan, Joffre and Sancia) but also other members of the papal entourage and it is said, though I haven't yet found a source for this and will update as and when I do, that the man sat in the chair is actually a self portrait of Pinturicchio himself.

As for the imagery of the family, the main figure in the painting is St Catherine. She is portrayed as blonde, the known hair colour of Lucrezia Borgia, and this image has long been traditionally held as an image of Lucrezia although there is, of course, no certainty of this.

Detail of St Catherine showing the supposed figures of Lucrezia and Cesare (Picture by me)

The figure behind her, dressed in Turkish robes and glaring out, is said to be an image of Cesare Borgia while the figure on the left hand side (the right as we look at it) is traditionally held to be an image of Juan Borgia, second Duke of Gandia.

Detail of the figure said to be Juan Borgia in The Disputation of St Catherine

The two diminutive figures at the front of the painting are said to be of Joffre Borgia and his wife, Sancia of Aragon.

Figures said to be of Jofre Borgia and Sancia of Aragon from The Disputation of St Catherine

Pope Alexander himself is not shown in the Disputation of St Catherine. He is however shown in the fresco "Resurrection", in which he witnesses the Resurrection of Christ during a moment of prayer. He has his hands clasped in prayer, dressed in embroidered robes and his papal tiara on the floor before him. Pinturicchio also painted another portrait of Alexander above a doorway adoring a beautiful virgin who, according to Vasari was given the face of Giulia Farnese. This portrait however was destroyed when the room it was in, was destroyed for other building works.

The Resurrection by Pinturicchio

Detail of Pope Alexander VI, Pinturicchio

In all then, the Borgia apartments are a testament to the sheer self belief of the Borgia family, their belief in unbridled power and the pride that Alexander felt in his family origins. 

And one last picture from my visit last year, though this could have been carved at an point throughout the room's history - a gaming board carved into a windowsill which I found to be incredibly interesting. I have no idea how the game was played but it certainly looks interesting!

Random gaming board in the Borgia Apartments (Picture by me)

Further reading

Sunday, 14 October 2012

Caterina Sforza Part 3 - Countess of Forli

The fortress of Ravaldino, Forli

When Giralomo Riario and his wife Caterina Sforza were given the town of Forli, trouble was already brewing. The town itself had been politically unstable for over 500 years and was still subject to bitter rivalries, battles and destruction and thus the townspeople were suspicious of any new rulers. Forli itself was separated from the other town owned by the Riario's, Imola, by the little town of Faenza which was owned by the Manfredi family who were backed by the military powers of the Este's from Ferrara. To bring the two lands together, Count Giralomo Riario would have to take Faenza. For a long time Forli had been ruled by the Ordelaffi family, and in 1480 when Pino Ordelaffi was on his death bed he had no legitimate heir. He decided to recognise his bastard son Sinibaldo and make him heir to the town. The problem was that Pino was hated by the people of Forli and when he fell so ill they rose up against him. The people dragged him from his sick bed into the central piazza and beat him to death. Pino's wife Lucrezia immediately assumed the regency for her son Sinibaldo, literally just as Cecco Ordelaffi's (the ruler previous to Pino, who had been been stabbed to death by Pino) exiled sons rode into the town. Lucrezia holed herself up in the Castello Ravaldino, and waited. Whilst there, Sinibaldo mysteriously died. Giralomo, who had his eyes on the town for a while, and Pope Sixtus IV made their move and declared the Ordelaffi's claim to the city completely invalid, sending soldiers into the city to take possession of it. Lucrezia then thought it prudent to leave the city and left with over 130,000 ducats and over 32 baggage carts, while the exiled sons of Cecco went to Faenza where they waited.

Giralomo did not visit his new lands straight away. Instead he sent his trusted condottiere Gian Francesco Maruzzi as Governor to the city. People wondered why he was so reluctant to leave Rome, it was probably because he was busy cooking up more schemes to get himself more power in the city. Whilst still there, the notables of Forli sent a delegation to Rome to meet their new lord and they came away impressed. Giralomo had welcomed them warmly and promised them all good positions as well as a relief from certain unpopular taxes in the city. They returned to Forli with this good news. Meanwhile the Ordelaffi brothers who had escaped to Faenza were plotting again and on October 1480 sent 60 men to take the fortress of Ravaldino. Their orders were to kill the keeper of the castle and occupy it. Thankfully Maruzzi smelt a rat and discovered the plot, before exiling the soldiers and executing the two priests who were supposed to have assassinated the castle keeper.

Tranquillity had returned to the town, at least for now, and Caterina began to make ready to visit her new town. In the spring of 1481, Caterina and Giralomo departed Rome with an armed escort and accompanied by their children. At this point, Caterina was also pregnant again and so they travelled at a leisurely pace and stopped each evening on the way. Two weeks later they had arrived and saw their new town for the first ever time. At sunset they entered the city, and it was comprised of the grandest procession that the people of Forli had ever seen. Nobles carried banners and lances, trumpets announced their arrival, clergymen walked in a stately order holding reliquaries and golden crucifixes and acolytes waved palm leaves as had been done at Jesus' entrance into Jerusalem. Caterina and her husband were dressed in beautiful silks while their soldiers wore silver cloaks and the knights in the escort wore gold brocade. As the procession entered the central piazza of Forli, they were greeted by a group of actors playing the parts of prominent citizens from the past including the founder of the town , Claudius Livy; famous Roman play write Titus Maccius Plautus and the towns first bishop Saint Mercuriale. Following this, the party then rode up to their new palace and despite being heavily pregnant Caterina dismounted her horse gracefully, and several of the townsmen came forward begging to carry her up to the palace. She then promised that if her horse was well looked after then she would give the gentleman who had taken her horse away her jewelled headdress. And she kept that promise most gracefully.

Caterina dazzled her new people. They jostled to get a glimpse of her and her astounding beauty, and she dazzled them with the latest fashions which the towns noblewomen did their best to copy. Caterina Sforza was certainly a trendsetter! Indeed the people of Forli noted that in her first four weeks in the town, she never wore the same outfit twice but it didn't matter to them. Their countess was beautiful, they loved her and were completely enchanted by her, her beauty and her incredible fashion.

During the weeks of celebration, Giralomo addressed his new subjects, promising that he would be a good ruler to them, and promised that he would get rid of the dazzi, a tax that was levied on entering the city and purchasing grain for personal use. Giralomo promised that he would never repeal this promise, and nor would his heirs. This new policy was met with huge rejoicing but in reality, as the Popes favourite nephew who could dip his hands into Papal moneys whenever he needed it, this would only last until his Uncle died. Yet at the time this didn't matter, the town was rejoicing at their new rulers and one diarist described it as the beginning of a golden age. The diarist in question, Leone Cobelli was immediately enamoured with Caterina from the moment he first laid eyes on her as he played his badosa (like a guitar) for one of the many dances that were given and saw her dancing. His very first lines about her were: "(she danced) the most beautiful dance I have ever seen or think I ever will". Over the years he would watch her from afar and studied every moment of her life in Forli. He only ever spoke to her once, and that proved to be rather unpleasant and changed his opinion of her greatly, although this comes much later in her story.

For the month that they stayed in Forli, Caterina made the effort to visit and socialise with her new subjects. Her husband however holed himself up in his apartments. Caterina was not afraid to walk amongst her subjects and they loved her for it, but Giralomo constantly avoided doing the same. It was a pattern that Giralomo would repeat throughout the years and it did not endear him to his people. Even when they moved onto Imola, after the banquets and festivties, he locked himself in his rooms too. But the Imolese people still loved their ruler thanks to the improvements he had made to their town. But after a while, the people started to mutter, why did he lock himself up? It seems the Count was afraid of Assassins, particularly in Forli and rightly so, as will be seen later. And so when he came to the area, he preferred to stay in Imola. It also seems as if he distrusted Caterina and refused to let her visit her family in Milan, brushing off her requests angrily. Even when the Milanese ambassador stepped in for her, Giralomo still refused and said if she went he "wouldn't know how to live without her" which proved to be a lie when he said he had every intention of leaving Caterina in Forli while he went back to Rome. When Caterina heard this she began to make plans of her own to visit Milan, despite being pregnant, the plans were scuppered and she had to remain in Forli and comply with her husband and his distrust.

In September, the couple made their way to Venice and when they arrived on 8th September, the Doge of Venice came out to greet them. The trip was not just for fun however but rather Giralomo was making plans to ally with Venice against Ercole D'Este. It was his plan to carve the lands up and give them away, and would keep Faenza all for himself. Giralomo never got what he came for, despite the flamboyant banquets and parties thrown for him, and Venice did not wish to go to war against the Duke of Ferrara, King Ferdinand of Naples. On their way back, they took a round about route avoiding passing through Ferrara, and stopped in the little village of Cotignola. The villagers came out to greet them crying out the name of Sforza. But when the came back to Forli, their welcome was not as ostentatious as it had been before. The people were discontent, and having not forgotten the murder of his brother, Lorenzo De Medici was helping them along. The Artisan conspiracy was planned, with the goal of killing both Giralomo and Caterina on the road between Imola and Forli. Maruzzi again smelt a rat and discovered the plot. When Giralomo heard of the plot he flew into a massive rage yet ordered Maruzzi not to say a word of it to anyone. He needed to keep his authority.

Shortly after, Giralomo and Caterina set out for Rome once more, taking a number of Forli citizens with them as hostages. She rode to Rome on the back of a mule carrying two baskets due to the fact she was now 9 months pregnant and should ideally have been "lying in" and waiting to deliver her child. Yet despite this, she made the journey anyway and just a few days after arriving in Rome she gave birth to her first daughter, whom she named Bianca. In November 1481, Giralomo finally acted out justice for the Artisan Conspiracy and in Forli, Maruzzi had five men hanged in the central piazza and exiled many more.

In the spring of 1482, war began. Venice had decided to go to war against Ferrara, and all over the subject of salt. This may seem like a petty thing to go to war over these days, yet in the fifteenth century salt was incredibly precious and used to preserve food. Venice owned much of the salt marshes and when Ferrara began extracting salt and selling it from land it leased from Venice, the Venetians forbade the Ferrarese from doing so. When Ferrara ignored them, war began. Alfonso, Duke of Calabria was dispatched to relieve Ferrara by his father King Ferdinand of Naples and when he approached the borders of the Papal states with his army and asked to be let through, Pope Sixtus refused. Alfonso passed through anyway. Giralomo Riario was captain of the papal armies and so summoned to help defend Rome. He camped by the southern gate on the Via Appia and not far from the cathedral of Saint John Lateran, but stayed inside the walls claiming he was doing so to stop the people of Rome from revolting. In fact he was a coward. The subject of her husbands cowardice must have been disgraced at the behaviour of her husband. After all, she was a Sforza and had the blood of those who got their lands through battle, and the name had never before been associated with cowardice. Not only that but disturbing stories of her husbands conduct made their way to her - he had been seen playing dice on the high altar of the cathedral, he and his soldiers sat on boxes containing sacred relics and told scandalous stories as they did so. And so she spent her time praying for her husbands soul, and spent many hours on her knees in church, praying for him. On August 20th, the final battle of the war happened at Campo Morto, beginning at 4pm and finishing at 11pm. The Papal Armies had won the day, although cowardly Giralomo had not taken part. He had stayed at the camp to guard the tents, although he did try and claim credit for the victory. All knew of his cowardice however and Sixtus gave the honours of the day to Malatesta. Sadly, nine days after the battle, Malatesta died of dysentery. On December 13 1482, an an armistice had been reached, and a new church was built in celebration.

During her years in Rome, Caterina would have spent many hours within the Papal apartments in the Vatican.  During the years 1479-81 she would have been aware that Pope Sixtus was working on a very impressive project, the painting of the murals within the Sistine chapel which had just been completed. In 1481, Lorenzo De Medici offered to send his own painters to paint the chapel including the famous Sandro Botticelli, Domenico Ghirlandaio (Domenico would soon receive Michelangelo as an apprentice, and this apprentice would paint some of the most beautiful paintings in the chapel) and Pietro Perugino. The panel "The Purification of the Leper" was one of the first panels to be started in 1481 by Boticelli. This is actually one of the only panels in the whole chapel in which Jesus is not depicted, instead the background is made up of lots of little paintings from the temptation of Christ and the foreground of the painting shows a high priest accepting a sacrifice offered by the Leper who Christ had healed. A certain building dominates the painting, Santo Spirito, a hospital recently completed and which still exists today. Within this portrait are the figures of Giralommo Riario (showing his famous scowl) and Giuliano Della Rovere and the two papal nephews face each other on either side of the priest. To the right of them is a single female figure, Caterina Sforza, shown in her sixth month of pregnancy and carrying wood on her shoulder.


The Purification of the Leper by Sandro Boticelli, both the full image and detail of Caterina

Despite the hustle and bustle going on the Sistine Chapel, Sixtus was becoming unwell and getting weaker. The people of Rome realised that the days of Sixtus' papacy were almost over and the people began to plan to get their revenge on Giralomo and his outrages. And so Giralomo made sure that the armed guard that surrounded him and his wife grew to massive proportions. Of course, Giralomo made sure he made the most of his uncles waning papacy to get as much money out of the Papal coffers as possible, and alongside his nephew Cardinal Raffaello ruled Rome from behind the dying Pope.

In 1483, with the Pope's health waning, Giralomo purchased a new house for his family and placed the deeds in the name of the four year old Ottaviano. In the first few months of 1483, Sixtus fell seriously ill, but recovered against the odds. He lasted until August 1484 and when news of his death reached Caterina, she immediately jumped on a horse and rode from the Orsini camp near Paliano (she was staying with her husband there as he fought with the Orsini's against the Colonna's) to Rome. She headed straight for the Castel Sant Angelo and on August 14th she took control of it. The college of Cardinal's were in an uproar as she dismissed the seniour keepers of the castle and trained her cannons on the Vatican, making it impossible for the Cardinal's to reach the Sistine Chapel for conclave. The cardinals demanded that she vacate the castle yet she refused, saying that the Pope had made her husband responsible for it and she would only hand it over to the next Pope, which of course given her cannon would be a rather difficult thing for them to do. Even Sixtus' funeral was affected by it, all of the cardinal's were too afraid of approaching the Vatican when she had her cannon trained on its walls. The day after Sixtus' funeral, Cardinal Raffaello approached the castello as he was in charge of organising the conclave, and as a relative he thought he could smooth things over. Yet Caterina stood her ground and declared:

"So he wants a battle of wits with me does he? What he doesn't understand is that I have the brains of Duke Galeazzo and I am as brilliant as he!"

The Castello Sant Angelo, held by Caterina in 1483

On August 23rd, the College of Cardinals came to a desperate agreement with Giralomo, offering 8000 ducats to pay his soldiers as long as he left Rome immediately. He got ready to leave. Caterina did not. She had no faith in the promises of the cardinals and decided to wait until the conclave was over and deal directly with the new pope. The cardinal's were furious and demanded the Giralomo sort it out, but he was too busy getting ready to leave Rome. She was heavily pregnant once more, and although her pregnancy and feeling unwell could not move her, abandonment by her husband could. On August 25th, Cardinal Ascanio Sforza came to the castle with eight other cardinals, and they agreed to treat her with the utmost respect, that they would look after her as she and her family left Rome. They also gave her a written agreement that the Riario family would still get to keep Forli and Imola. On the morning of 26th August, Caterina exited the Castello wearing a brown silk dress and a black feathered cap. She was exhausted and of course heavily pregnant, but she made her mark by wearing a mans belt adorned with a coin purse and sword.

It was a sign that she was not to be messed with. Caterina had made her mark, as she would do time and time again.

Further Reading

Elizabeth Lev, The Tigress of Forli, 
Niccolo Machiavelli, The Prince
Paul Strathern, The Artist, The Philosopher and the Warrior
Ernst Breisach, Caterina Sforza: A Renaissance Virago
Christopher Hibbert, The Borgias and Their Enemies
Jacob Burckhardt, The Civilisation of the Renaissance In Italy
Christopher Hare, The Most Illustrious Ladies of the Italian Renaissance
Jacob Burckhardt, The Civilization of the Renaissance in Italy
Will Durant, The Renaissance: A History of Civilization in Italy from 1304-1576 AD

Friday, 5 October 2012

Caterina Sforza Part 2 - The Rome Years


Gina McKee as Caterina Sforza in The Borgias

As Caterina left her childhood home of Milan, she was accompanied on her way to Rome by a lavish parade. Caterina had brought with her 40 relatives and servants, and her new husband Giralomo Riaro added a considerable number of his own retainers to the parade. The archbishop of Cesena also joined them, bringing with him 13 of his own servants, the Governor of Imola with 12 men along with other local nobles, various musicians and ladies in waiting. The cavalcade wound its way through the Italian countryside, waving the flags of the Sforza viper along with various other livery and colours. This brilliant parade would have proven to be such a spectacle as it wound its way through the small villages. Along the way, the party were joined by more and more members including Gian Luigi Bossi, who came carrying specific instructions from Caterina's step mother Bona of Savoy. It seems like Bossi was to accompany Caterina all the way to Rome and make sure that the young Countess conducted herself properly. It really seems as though Bona cared for her stepdaughter's welfare - not only did she send Bossi to watch over the young Countess, but she also wrote ahead to each town that the parade would pass through to make sure that Caterina was made welcome. Only one town did not to do this because the party arrived much earlier than expected and so Caterina stayed in an inn which described as "pleasant". Everywhere that Caterina went, she was greeted with massive enthusiasm and huge affection. Caterina was certainly making a fantastic impression.

On the 1st May 1477, Caterina arrived in Imola where upon her arrival she was presented with the keys to the City. She and her husband were now the rulers of Imola, although at this stage her husband was still in Rome, and during her stay in her new City she was treated to a constant celebration. However, underneath all of the celebrations, Imola was at the centre of attention politically - Bossi had orders from Bona of Savoy to inform the city elders of the Sforza position on Taddeo Manfredi. Manfredi had previously been Lord of Imola until 1471 when he started to lose his grip on his subjects. He was too busy fighting with the rest of his family in Faenza and the city was just waiting to be taken over. Galeazzo Maria was the man who took over, despite the fact that both Florence and Venice were showing an interest, and he tried to get Manfredi out gently at first. Galeazzo extended Manfredi an invitation to Milan and then (after filling the man's belly with good wine and good food) offered him rather a lot of money if he would just simply give up his Imolese territory. By the time Caterina entered the picture as new ruler of the city, Manfredi was holed away in Milan but was constantly in the minds of the Imolese. And he would often become the centrepiece of revolt. One such example was following the death of Galeazzo when whispers and rumours began to spread that Manfredi would soon be back in his seat of power. The rumours reached the sharp ears of Bona of Savoy who swiftly dispatched messengers to the leading families in Imola, informing them that Giralomo Riaro had the entire support of the Sforza clan, and that it wouldn't be a good idea to reinstate Manfredi. They didn't want the Sforza family as their enemies after all.

All the while she was in Imola, Caterina heard no word from her husband. He was still in Rome, and Caterina spent her days waiting for the summons to arrive. Even Bossi noted her impatience and remarked to the countess of Milan that she was "desirous to find herself in the presence of His Holiness and to her her count Giralomo". Yet the summons did not arrive, and she found herself being delayed over and over. But why was this? Why did the summons not arrive?

An attempt had been made to assassinate Giralomo, the Pope's favourite nephew. It should be noted that Giralomo Riaro was rather adept at making enemies for himself including men of his own family (Giuliano Della Rovere being just one example!). Two men were arrested and confessed that they had been approached by a man on behalf of Della Rovere who offered a huge payment if they would assassinate Giralomo. Yet they also admitted that they never received the orders directly from Cardinal Della Rovere. The Pope, worried for his favourite nephew's safety, would not allow Giralomo to travel and also deemed that Rome was also too dangerous for Caterina. It seems though that Caterina was never given the true reason for this delay and was instead fed excuse after excuse by the Pope. He wrote to her and tries to blame bad air and plague, he blamed the fact that people would say he brought her to Rome to kill her, He blamed the heat of Rome and He said that he would not be able to put on a ceremony lavish enough for her out of respect for her murdered father. He then made promises to her that he would send her husband to her in Imola at the start of June.

Caterina, however, never received the letter from the Pope and instead took it upon herself to set out from Imola to Rome. And on24th May she arrived at Castel Novo outside the City. When news reached the Vatican, the Pope rushed to make sure everything was ready for her arrival. Gifts were prepared and the beautiiful halls of the Vatican were decorated with the Riaro and Sforza colours, in homage to the union of these two houses. On 25th, Caterina left Castel Novo, and was met outside the city by a group of horsemen, one of whom being Caterina's husband Giralomo. It would be the first time the couple had seen each other in four years. Giralomo had last seen Caterina when she was just ten years old. Now, four years later, he himself was ageing quickly and had ill health. Yet the couple dismounted their horses and embraced each other. Following lunch, the party moved onto the villa of the Cardinal of Urbino which sat on top of a hill just north of Rome. There, Giralomo presented his wife with a pearl necklace. But he did not stay with her that night as he was under strict instruction from the Pope that he was to return to the Vatican that evening, and that he must wait until the marriage had been formalised before he took Caterina to the marriage bed. The next day, Caterina began to prepare herself to walk into the City of Rome and see it for the first time. She was dressed in gold brocade and dark silk and her sleeves were covered in jewels. At the gates of Rome, she was greeted by a party of six thousand horsemen who accompanied her to St Peter's Basilica, and once there was shown to a place of honour as the Pope entered with the College of Cardinals.There, following the Mass of Pentecost, Pope Sixtus had Caterina and Giralomi brought before him and repeated their marriage ceremony. This was a marriage ceremony that no one could break, for it was solemnised before the head of the Catholic church. Following the ceremony, Caterina was then presented with a gift of pure white pearls from the Pope's own treasury. Following the marriage, Caterina and Giralomo took their leave of the Pope and the Cardinals and made their way to their new home in the Campo dei Fiori.


The Campo Del Fiore in Rome

Caterina Sforza was in Rome, her new home. And.. there, in her first few days in the city she was treated to splendours she could never have imagined. The courtyard of her new home was filled with guests and well-wishers, and gifts were piled high. Her wedding feats held at her new home was so spectacular that before each course a child dressed as an angel rode in on a chariot. She was now officially Giralomo Riaro's Countess, and would spend the next few years flitting between Rome and her lands in Forli and Imola. And most of all, she would grow into a young woman to be reckoned with.

As Caterina began to get used to Rome, she became more and more aware of all the dangers that the city had to offer. Each and every time she left her house she would have noticed groups of armed men wandering around the city. These men were hired retainers in the pay of a wealthy family, and paid to protect the family as they went about Rome on their daily business. Indeed, Caterina would have experienced this first hand and been accompanied throughout the city with her own band of guards. Yet she did not let this stop her and spent her time wandering the city, seeing the improvements that the Pope had made and getting to know her new extended family. She was also constantly partying and feasting, and became one of the most admired women in Rome. During this time her stepmother, Bona of Savoy became not only her mentor but also her source of fashion, and Bona often sent her gifts of jewellery and hairnets. With these Caterina became a style icon. However, despite her busy schedule of feasts and parties, Caterina still thoroughly enjoyed her riding and hunting, and Bona sent her and her husband a gift of hunting dogs. And Caterina spent much of her free time hunting outside the city, which she accessed across the Ponte Sisto. Her hunting grounds were in the forests of the Janiculum Hill, a place where she could escape the crowded city streets of Rome.


The Ponte Sisto (image credit)

Caterina had arrived in Rome by the time that Lorenzo De Medici (Lorenzo the Magnificent) had earned the displeasure of the Pope. The Medici, a famous Florentine banking family had been bankers to the Papal Court yet had earned the displeasure of the Pope by refusing to underwrite a loan for His Holiness. Thus Sixtus turned to the other great banking family in Florence; the Pazzi who immediately provided three quarters of the money the Pope needed for the sale of Imola. The Pope and Giralomo Riaro also had a plan to make a brand new state in the Romagna, yet Lorenzo provided soldiers to the towns in the Romagna who were trying to defend against Giralomo. And during the years that Caterina spent in Rome, her husband became involved in one of the most famous plots to ever effect Renaissance Italy - the Pazzi Conspiracy. The plot as hatched in 1478 as the Pazzi realised that Lorenzo de Medici was trying to use his power to block their work, and that the only way they could sort out this problem would be to murder Lorenzo and his brother Giuliano. The Pazzio recruited a number of conspirators including Giralomo himself. The plan was thus: the Pazzi family would take care of the Medici brothers while Giralomo would muster an army to help stop any rising that would happen against them. The plan also needed the go ahead from the Pope himself. Sixtus said that he desired a change in the rulers of Florence, yet flew into a rage when Giralomo even suggested murder. He was quite clear in his stance: He did not wish anyone to be killed, just a change in government. But for some reason, this was taken as papal consent, and this so called consent convinced the ruler of the Pazzi family, Jacopo de Pazzi that it was the right thing to do. The next phase was then worked out. Giralomo's nephew, Cardinal Rafaello Riaro, was invited to Florence - and with such an important man visiting Florence, the Medici would deliberately take pains to look after their guest. It was agreed by Lorenzo that Cardinal Rafaello would arrive in Florence on April 26 1478 and there would attend Mass in the Duomo. This was when the assassination would take place.


The Santa Maria Del Fiore, aka The Duomo, Florence

On that Sunday morning, the Pazzi arrived to bring Lorenzo and Giuliano to the Duomo for Mass. Giuliano was feeling unwell and so tried to excuse himself, yet Francesco De Pazzi practically dragged the young man along, feigning friendship and laughter. Once in the Duomo, the conspirators waited for their signal: the elevation of the host. As the Host was elevated, and the gathered congregation bowed their heads in reverence, Giuliano De Medici was stabbed in the head by Francesco and then stabbed over and over again. Lorenzo however managed to escape. And Giralomo never got to put his army into action.

The plot failed, and the majority of the conspirators were hunted down and executed. Sandro Boticelli painted the executed men as they hung on public display. Leonardo Da Vinci also sketched a few of the corpses.

Bernardi di Bandido Baroncelli, one of the Pazzi Conspirators by Leonardo Da Vinci

Cardinal Raffaello managed to get away with it, the Medici family making out he was but a hapless pawn in the whole affair. The Medici still kept him as a hostage, which was rather a good way to stop Rome from exacting revenge on the Florentines. He was held for 6 weeks and upon release, Caterina wrote to her stepmother requesting that Riaro be given the income of the Abbey of Chiaravalle near Milan. But was Caterina at her husbands side during these torrid times? She was very close to Lorenzo having spent time in his company in her younger years and grieved deeply for him when he died. And would her husband have shared such plans with his fifteen year old bride. 

Following the confession of one of the conspirators, a man by the name of Montesecco, Giralomo's part in the conspiracy became publicly known.. Of course, Sixtus would have been furious with his nephew. And with the ridicule that now haunted the steps of Giralomo, Caterina found herself bound to a murderer and included in the jokes of the Roman's. It was from this moment on that something changed within Caterina, and in the years to come would prove time and again that she would no longer stand by as such important events passed her by. Indeed, she would become a part of them. 

During Christmas in 1478, Caterina became pregnant with her first child. At the time her husband was frequently away fighting for his uncle and striking back at the Florentines, yet upon hearing the news that his young wife was pregnant purchased a new family home for them. The new home was located in the Piazza Navona.


The Piazza Navona as it appears today (image credit)

The child was born on 31st August 1479, and christened Ottaviano. His christening was an incredibly lavish affair, and attended by only the most high ranking Roman citizens, including Rodrigo Borgia - a man who would prove to be a thorn in Caterina's side as the years went on. Caterina recovered from the birth of her son quickly and was desperate to show off her little boy to her family in Milan. Yet bad news came back from Milan; it was said that Bona of Savoy had taken a young lover, a man by the name of Antonio Tassino who was a footman in her household. Bona shared the secrets of the Milanese court with her new lover and due to this Bona found herself in the centre of a bitter rivalry in her court, and her brother in law Ludovico (The Moor - due to his dark colouring) thought it a good time to introduce himself into the court of Milan. Ludovico used Antonio as a path to Bona, making out he wished to make peace with his sister in law. And on September 7th, Bona agreed to meet with her brother in law. Almost a year later, Bona was ousted from her place in authority and power was taken over by Ludovico, where he acted as regent for the young Duke of Milan, Gian Galeazzo. By the time that Ludovico had taken the reins of power, Caterina was pregnant again and just three months after she had given birth to her son!  During her pregnancy this time though, she had more responsibilities. The new palace in the Piazza Navona was almost complete and she had to oversee the sumptuous decorations that her husband was so instant on. 

On August 23, 1480, Pope Sixtus formally gave the city of Forli to Giralomo. Forli was a little town just south of Imola and thus doubled the Riario lands. And on August 24th, Caterina gave birth to her second son whom as christened Cesare.

Caterina Riario Sforza was now Countess of Forli, wife to the Pope's favourite nephew and mother to two sons. She was also becoming a woman to be reckoned with, and as she took her place as Countess of Forli she would prove to be an incredibly popular lady in her new town, and a woman who would prove to be one of the toughest women in Italy at the time. She was becoming a force to be reckoned with, and in the next few years would prove this beyond a shadow of a doubt.

Further Reading

Elizabeth Lev, The Tigress of Forli, 
Niccolo Machiavelli, The Prince
Paul Strathern, The Artist, The Philosopher and the Warrior
Ernst Breisach, Caterina Sforza: A Renaissance Virago
Christopher Hibbert, The Borgias and Their Enemies
Jacob Burckhardt, The Civilisation of the Renaissance In Italy
Christopher Hare, The Most Illustrious Ladies of the Italian Renaissance
Jacob Burckhardt, The Civilization of the Renaissance in Italy
Will Durant, The Renaissance: A History of Civilization in Italy from 1304-1576 AD

Saturday, 18 August 2012

Rodrigo Borgia Part 2 - Becoming Alexander VI

Rodrigo Borgia - part of a fresco in the Borgia Apartments

The story of Rodrigo Borgia's rise to the chair of St Peter has gone down in history as one of the most corrupt periods in the history of the Roman Catholic church. It is said that he bribed his way into the chair, and paid off his fellow cardinals to get what he wanted. Despite it's many historical inaccuracies, Showtime's "The Borgias" does a fantastic job of showing how Rodrigo is said to have gotten to be Pope - in the show we see Rodrigo's son Cesare sending donkey's laden with gold and treasure to the palaces of Cardinals, as well as notes being smuggled into the conclave and hidden in food. Did it happen this way? Probably not, it's Michael Hirst writing the show to appeal of course. Yet you can't deny that something fishy was what got Rodrigo Borgia to where he ended up. And today's post will go into the Conclave that lead to his election as Pope.

After Pope Innocent's death on 25th July 1492, the conclave to election the new pope opened on Monday 6th August 1492. A grand total of 23 cardinal's moved into the Sistine Chapel. This beautiful chapel with it's fresco's painted by Michelangelo, is still used for conclaves today - although is mainly full of tourists these days (and it's super hard to even move through it as it's so full of people!

The Sistine Chapel, Rome

Of course, Michelangelo's paintings deserve a post all to themselves and that will be coming soon. For now however, back to Rodrigo Borgia.

During the first few days of the conclave, the first scruinity happened on the wednesday. Each cardinal voted for up to three candidates and Rodrigo Borgia came up on top, alongside Oliviero Carafa and Jorge de Costa. Both Oliviero and Jorge were part of Guiliana Della Rovere's party. The second vote on 9th August, and so was the third on 10th August. Carafa had 10 votes at this point, Rodrigo had 8 and Guiliano Della Rovere had 7. To become Pope on this occasion, 16 votes were needed, and the winner needed 2/3's of the vote to win.

The guadians of the conclave began to despair because it was taking far too long to elect a new pope, and it was ordered that until a Pope was elected the Cardinals would be restricted to one meal a day which would consist of just bread and water. On the evening of 10th August, Cardinal Ascanio Sforza began trying to convince his fellow Cardinals to back Rodrigo.

And on 11th August, in the morning, it was announced that Rodrigo Borgia had been elected Pope. As I'm sure many of us are aware from the relatively recent election of Pope Benedict XVI, when Rodrigo was elected white smoke would have started pouring from the small chimney at the Vatican.

White smoke announcing the election of a new pope

Just before dawn it was announced that Rodrigo Borgia had taken the name of Alexander. From that moment on he would be known as Pope Alexander VI. The remarkable thing was that in that final vote, the only vote against him had been his own. Everyone else had been unanimous. However Hibbert also mentions that one vote against Rodrigo, although Hibbert says that the vote belonged to Guiliano Della Rovere. I have to say, I am more inclined to agree with Hibbert in this case (although it's possible that Rodrigo may have put a different name in the hat, or indeed his own) as we know that Guiliano was opposed to Rodrigo from the get go.

The election was a happy affair in Rome, although there were those that were against the election. He was well known in Rome as a generous man, yet his enemies were livid. For example, the government of Venice were exceptionally angry that it's own Cardinal had voted for Rodrigo, rather than acting on the goverrnments wishes.

Cardinal Ascanio Sforza

After his election, and the white moke announcing the new Pope, papers were thrown from the windows announcing the new pope as Alexander VI, and shortly after the new Pope himself appeared at the window. And instead of calling out the tradiional call to the crowds of "volo", it is said that he shouted, "I am Pope! I am Pope!".

Following his election, rumous began to spread that he had bribed his fellow cardinal's into giving him the Papal crown. Cardinal Ascanio Sforza is said to have agreed to put aside his own ambitions and help Rodrigo for the promise of gold (this is where the gold laden mules come into the story, with them being lead through the dead of night to the Sforza palace) as well as the office of Vice-Chancellor. With the office of Vice Chancellor, Ascanio would also get the official residence that came with the office - today known as the Palazzo Sforza-Cesarini (nothing of the original building remains however, having been rebuilt in 1888).

On 12th August, 800 men rode through the city to meet the new Pope at the Vatican Palace.

After his election, even his enemies had to admit that Rodrigo was certainly competent despite the accusations of Simony, bribery ad sexual corruption. Plus, Rodrigo was also determined to put an end to the lawlessness that had spread through the city during Innocent's reign.

So, did Rodrigo bribe his way into the seat of St Peter? I have to say, having read a lot about his election, it seems very likely. Not only did the day before Rodrigo have nowhere near the amount of votes needed only to get an almost unanimous vote the next day, but after his election he gave lavish gifts to all those who had backed him. For instance, as we know, Sforza was made vice chancellor while others such as Cardinal Savelli was given Civita castello and others received thousands of ducats for their help. Only 5 cardinals came away with nothing, and all 5 said that the papal vote should be given freely and not brought. It does seem a little fishy, and even Johannes Buchard (Pope Alexander's Master of Ceremonies)  writes of the rumours that were flying around Rome at the time, and it is Buchard who tells us of the gifts that Alexander lavished on his backers. Do I think he bribed his way in? Yes I do, but it was certainly not the first time a Cardinal had bribed his way in. Stories abound through the history of the Catholic Church in the Renaissance, stories of bribery and corruption, so the story of Rodrigo Borgia was nothing new. Yet why was a stink kicked up at Rodrigo's election? Quite simply, Rodrigo Borgia had enemies, enemies who did not want a Spaniard in the papal chair, enemies who wanted an Italian as their Pope.

And these rumours of bribery and corruption, as well as sexual misdemeanours followed Pope Alexander VI until his death in 1503.

Further Reading

Burchard, J, 1963 (translated from original), At the Court of the Borgia, The Folio Society: London
Bradford, S,1976, Cesare Borgia: His Life and Times, Weidenfeld and Nicholson: London
Bradford, S, 2004, Lucrezia Borgia, Penguin: London
Hibbert, C, 2009, The Borgias & Their Enemies, Mariner Books: Boston
Hollingsworth, M, 2011, The Borgias: Histories Most Notorious Dynasty, Quercus: London

Saturday, 11 August 2012

Rodrigo Borgia Part 1: Early Church Career

Jeremy Irons as Rodrigo Borgia (Alexander VI) in Showtime's The Borgias

I'm sure most of you have gathered from my previous pieces on Lucrezia, Cesare and Juan Borgia that I am a big fan of this most notorious family. And I'm sure you all noticed my flailing over the fresco of Lucrezia on my post about the Vatican in Rome. But so far I have done very little writing about the head of the Borgia family, quite possibly one of the most hated Pope's of all time.

Rodrigo Borgia. More commonly known as Pope Alexander VI. Father of at least 8 children and a man who rather enjoyed his mistresses.

So why have I decided to write about Rodrigo Borgia? Well, like his children, he is hugely vilified, and rumours still abound that he was a nasty piece of work. For instance when we were in the Sistine Chapel, our tour guide started harping on about how evil Alexander VI was, how he poisoned everyone and how he enjoyed sexual relations not only with his mistresses but with his daughter as well. I had to bite my tongue and walk away quick sharp else I probably would have ended up yelling at him. And yelling in the Sistine Chapel is probably frowned on. I say probably, more like definitely. Anyway, it's these sort of misconceptions that made me want to do a piece about Rodrigo, from his birth to his death and hopefully clear up a lot of said misconceptions. I'll admit it now, Rodrigo Borgia was not perfect and yes, he did do some pretty bad stuff (especially considering as how he was y'know, Pope!). Hopefully, this will start to dismiss many of the rumours that Rodrigo Borgia was inherently evil.

Rodrigo Borgia as Cardinal

Rodrigo Borgia was born on 1st January 1431 at Xatvia, not far from Valencia in Spain. His parents were Jofre Lancol and Isabella Borgia, who was the sister of Cardinal Alfonso Borgia (later to become Pope Calixtus III). As a young child Rodrigo used his father's surname, but after his Uncle Alfonso was elected to the Papacy in 1455. And once Calixtus was Pope, Rodrigo's profession was chosen for him - there was no question of him taking on a clerical role. Oh no, he would follow in his uncle's footsteps.

By the age of 25, likely thanks to his being a relation of the Pope, Rodrigo Borgia had been made a Cardinal. He had previously been sent to Bologna by Calixtus to study law. There, he received his degree in canon law after less than a years study. Normally, these degrees took five years to complete and it lead to rumours that money had changed hands to get him his degree earlier. There was however, no doubt, that Rodrigo was brilliant. By the age of 27, after having many rich benefices thrust upon him and a very brief military career, he was made vice-chancellor to the Pope. This of course did not pass without much grumbling from the rest of the College of Cardinals. There is of course, very little doubt that Rodrigo got these posts because of who his uncle was. But he was a very able young man with a sound head on his shoulders. And it would serve him well in the future. Pius II even commented that Rodrigo was an "extremely able man".

 Calixtus III - Rodrigo's uncle

Although, it must be said that when Rodrigo held these offices he used them very much to his advantage. And when I say to his advantage, I mean he used his position to accept bribes to grant favours for people including issuing licences so that incestuous couples could marry! Doing this made Rodrigo Borgia exceptionally rich, and allowed himself to stray somewhat from his office in the church. And when I say stray, I mean he didn't take his vows of celibacy very serious at all. That and he was fond of his food, fond of gambling at cards and hugely fond of his drink. These actions earned him a letter from Pius II, telling him off for his bad behaviour! Pius basically turns around to Rodrigo and tells him to stop sleeping around and being all un-cardinal-like:

We have learned that three days ago a large number of women from Siena, adorned with all worldly vanity, assembled at the gardens of...Giovanni di Bichio, and that your Eminence, in contempt of the dignity of your position, remained with them from one o'clock until six and that you were accompanied by another cardinal...we are told that the dances were immodest and the seduction of love beyond bounds and that you yourself behaved as though you were one of the most vulgar men of the age...Your faults reflect upon us, and upon Calixtus, your uncle of happy memory, who is accused of a grave fault of judgement for having laden you with undeserved honours. Let your Eminence then decide to put an end to these frivolities.

Pius II

Suffice to say, Rodrigo didn't pay any attention to that! He was however a little more careful to do such things away from anyone who could whisper in Pius' ear. But due to his indiscretions, the wealth that Rodrigo Borgia was amassing meant that he could begin building extravagant palaces. However despite spending so ostentatiously and always made sure he had enough to help out the Holy See.

In 1468, Rodrigo was ordained into the priesthood. And in 1471 he was ordained as bishop and made Cardinal-Bishop of Albano. By the time that Rodrigo came to be elected as Pope in 1492, he had served the Vatican under 5 different Popes, and thus had a considerable amount of experience that, in his eyes, made him perfect for the job.

After the death of Pius II in 1464, and after Rodrigo himself had recovered from a rather nasty illness, he was present for the conclave in which the new Pope was chosen. Paul II is the man who designed grand palaces in the Palazzo San Marco (now the Palazzo Di Venezia, close to the Capitoline museums in Rome). Following Paul's death, Rodrigo played a massive role in helping Frances Della Rovere (Sixtus IV). This Sixtus soon became known as a man who lavished gifts and offices on his nephews, particularly the famous Giuliano Della Rovere who would become Rodrigo's greatest enemy in the years to come. After Sixtus' death, Rodrigo went to his episcopal seat in Valencia. There he was greeted with rapture and displayed all his best qualities. He was after all, Bishop of Valencia. Fourteen months later he left Spain and when he returned to Piza after a rather nasty trip, he met the woman who would end up the mother of his three best known children: Vanozza De Cattanei. Vanozza was a courtesan, and Rodrigo found himself intrigued by her. So intrigued in fact that he arranged a marriage for her to a compliant husband so he could cultivate a long and lasting relationship with her. In 1475, the year Rodrigo stepped out in his cardinal's robes, his mistress gave birth to a son: Cesare Borgia. Sixtus VI showed his approval by legitimising the child After her husband died shortly after, she remarried twice and gave birth to more of Rodrigo's children - Juan, Lucrezia and Jofre.

 A portrait said to be of Vanozza Dei Cattanei by Innocenzo Francucci da Imola

When Sixtus died in 1484, his successor was Innocent VIII. This guy got his way in by promising people offices but then making up new offices and selling them to the highest bidder. During Innocent's reign as Pope, Rodrigo prospered in his role at the Vatican. In 1492, Innocent fell seriously ill. His time as Pope had been a shambles as it was, with the city descending into anarchy, and as they sat by Innocent's deathbed Rodrigo and Guiliano ended up having a massive row that could have easily ended up in violence.

When Innocent died on July 25th 1492, all eyes were on the next Papal conflict. Who would the conclave vote in as Pope? And the following story has gone down in history as the episode that put the cornerstone in Rodrigo Borgia's reputation as a cold, manipulative and corrupt member of the clergy.

Further reading

Burchard, J, 1963 (translated from original), At the Court of the Borgia, The Folio Society: London
Bradford, S,1976, Cesare Borgia: His Life and Times, Weidenfeld and Nicholson: London
Bradford, S, 2004, Lucrezia Borgia, Penguin: London
Hibbert, C, 200, The Borgias & Their Enemies, Mariner Books: Boston