Showing posts with label florence. Show all posts
Showing posts with label florence. Show all posts

Thursday, 7 February 2013

Looking back: 7th February 1497 - The Bonfire of the Vanities

Today, in 1497: Girolamo Savonarola organised one of the most infamous moments in Renaissance history - the Bonfire of the Vanities. Here's an old post I wrote on the subject...

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Savanarola by Fra Bartolomeo

Giralomo Savonarola is probably one of the most famous people from Renaissance Italy, next to the Borgia and Medici families. He is best known as the preacher who fundamentally ruled Florence with his sermons, and the man who was behind one of the greatest atrocities in Renaissance history: The Bonfire of the Vanities. As a man, Giralomo Savonarola is fascinating and I will be doing a piece on him and his life in more detail soon. Today however, I wanted to do a brief post on the Bonfire of the Vanities - an event in which the supporters of Savonarola piled up all manner of famous works of art, books and fine clothing...and burned the lot.

Painting of Savonarola's execution, in the same spot where he had started the Bonfire of the Vanities

It was Lent, 1497. Giralomo Savonarola had already been ruling the city of Florence for many years, preaching to the people and almost brainwashing them into believing that their extravagant life's were sinful. He regularly packed out the Santa Maria del Fiore, famous for it's massive dome built and finished by Brunelleschi in 1469, where he delivered rousing sermons against the extravagant clothes and art that the Florentine people were famous for.

At the start of Lent Savonarola sent a band of innocents around the city to collect up what he called 'vanities'. These innocents, known as the 'blessed innocents' were groups of children who up until then had walked around the city dressed in robes of purest white and singing the praises of God. They had previously been barred from a number of streets in the city when it became apparent that some Florentine's didn't actually support the friar. However this time they had armed guards with them and every vanity that they could get their hands on were piled into a huge pyramid in the middle of the Piazza della Signoria (as seen in the painting above of Savonarola's eventual execution, but this will be covered in more detail in later posts).

At the very bottom of the pyramid were items such as wigs, false beards, pots of rouge that women used to redden their cheeks and perfumes. On top of that were books that Savonarola and his followers considered to be 'Pagan' - these were all important historical works from Greek philosophers, books of poems by Ovid and Petrarch, works by Cicero. Next came paintings, drawings and bust sculptures of subjects considered profane. Included among these were works by the famous Sandro Boticelli, who is said to have been a follower of Savonarola and abandoned his paintings to follow the friar. Next were musical instruments, sculptures and paintings of naked women. And right at the very top of the pyramid were sculptures of Greek Gods and mythical legends. This was then finalised by an effigy of Satan, reigning over these sinful items. It is said that this model of Satan was given the face of a Venetian man who had offered to buy the items for 22,000 florins. This can only hint at the worth of all the items together, and I can only imagine that such works of art were worth much, much more.

The Palazzo Veccio, Florence.

The bonfire was lit on Shrove Tuesday, 7th February. As the entire signoria assembled from the balcony of the Palazzo Veccio, flames began to lick up the pyramid which by now was now over sixty feet high, and the crowds surrounding the massive bonfire singing a Te Deum.

This event divided Florence even more than it already was. The people were turning against Savonarola, and Piero de Medici ended up leaving Florence and heading to Rome where he received the blessing of Pope Alexander VI to lead an army against the city. Yet even as the army approached, the majority of Florentine citizens did not want to return to Medici rule (they had been ousted from the City during the early part of Savonarola's "rule"). Piero returned to Rome, not as the victor he envisaged.

Savonarola's reign of religious tyranny (for want of a better word), would start to decline in June 1497 when Pope Alexander VI issued a papal bull excommunicating him from the Roman Catholic church. Yet when Savonarola continued to preach in the Santa Maria del Fiore, the signoria tried to ban him from preaching and riots occasionally broke out.

His reign would not come to an end until 1498 when he was arrested and made to prove that he had a special relationship with God. When he failed he was jailed in the Bargello before being tortured and eventually executed. But that's for a different post.

For now, all I can do is feel the huge loss of so many works of art lost to Savonarola's flames. This really was a crime against the art that was created during the renaissance, and from my reading of Savonarola I have to wonder how anyone could condone doing something like that? A crime yes, but certainly a very interesting event in the history of both the fascinating man and the beautiful city of Florence.

Further reading

Donald Weinstein, Savanarola: The Rise and Fall of a Renaissance Prophet.
Lauro Martines, Scourge and Fire: Savanarola and Renaissance Italy
Paul Strathern, The Medici: Godfathers of the Renaissance
Paul Strathern, The Artist, The Philosopher and the Warrior
Paul Strathern, Death In Florence: The Medici, Savanarola and the Battle for the Soul of the Renaissance.
Christopher Hibbert, The Borgias and their Enemies

Wednesday, 16 January 2013

Clarice Orsini and Lorenzo de Medici

In the spring of 1467 Lorenzo de Medici's mother, Lucrezia Tournabuoni, went to Rome. Using the pretext of an incognito visit to her brother, managers of the Rome branch of the Medici bank, she was actually there to sort out a bride for her son. Her choice fell on the daughter of Jacopo Monterotondo and her trip to Rome was, for all intents and purposes, so she could inspect the girl and make sure she was a suitable match for Lorenzo.

Lucrezia Tournabuoni (the elderly lady on the right) by Domenico Ghirlandaio from a fresco in the Capella Tournabuoni, Florence.

The report that Lucrezia sent back to her husband Piero is rather telling towards attitudes towards marriage at those times:

"She is fairly tall, and fair, and has a nice manner, though she is not as sweet as our girls. She is very modest and will soon learn our customs...Her face is round, but it does not displease me...We could not see her bosom as it is the custom here to wear it completely covered up, but it seems promising."

Following a meeting between Lucrezia and Clarice's family it was noted that she actually had "fine quality breasts"

The marriage was agreed upon and negotiations dragged on for over a year. The Florentine people weren't very happy about the match, and many believed that the Medici thought the local nobility weren't quite good enough for them. But the Orsini family were an old, very noble family. For the first time ever, the Medici were marrying into a class above their own - the Orsini were an old, powerful family in Rome with connections to the Papacy. It was certainly a step up for the Medici. To try and calm the populace, Lorenzo's father tried to arrange a festival to celebrate his sons betrothal but by this point Piero (nicknamed "The Gouty") was far too ill to do anything much and so Lorenzo took charge of organising the festivities. In the end, what he organised was an absolutely spectacular affair and would set the scene for his later ostentation when he took over the reigns of power in Florence.

Clarice Orsini, by Sandro Boticelli

In March 1469, the Piazza Santa Croce was covered with sand and the square itself was surrounded with seating stands for people to watch. In essence, what Lorenzo had organised was a massive joust - a fanfare announced the 18 knights who paraded past the Queen of the Tournament. They were all dressed magnificently but none more so than Lorenzo who stole the show - he took first prize, despite the fact he had already been unseated by one of his opponents. The people of Florence went away from the celebration happy, a fact which Lorenzo learned from in organising later celebrations. The cost of the whole thing ended up costing 8000 florins however, which was 2000 florins more than Clarice's dowry!

Lorenzo de Medici by Agnolo Bronzino

Four months later Clarice arrived in Florence for her wedding, having spent months learning new dances so she would fit in in Florence. And on Sunday 4th June she made her way to the church in Florence dressed in a white and gold gown and she rode on Lorenzo's white horse. Following the religious ceremony, three days of feasting followed and by the end of the celebrations over 300 barrels of wine had been consumed! After the ceremony, Clarice took formal possession of her new home on the Via Larga. As she entered her new home, she was greeted by her new servants and ladies in waiting who by all accounts, weren't too thrilled about having a foreigner take charge of the household.

After she took formal possession of her new household, she rode to the Palazzo degli Alessandri - a palace that was supposed to symbolise the home of her father. 

The following day, she would have moved into the house on the Via Larga properly. And it soon became evident that Lorenzo and Clarice were a complete mismatch. Despite not being the most attractive man in the world, there was something about him that made women go weak at the knees - he spent much of his time writing love sonnets to Lucrezia Donati, and would keep sending love sonnets to other Florentine beauties. He was also said to be quite difficult to live with at times. Clarice herself was quite a frumpy woman and nowhere near akin to the famous Florentine beauties, nor was she hugely intelligent. She was also convinced of her superiority to everyone else due to her family name and she spent much of her time with a somewhat disapproving attitude towards her husband, which for the most part she tried to conceal with various levels of success. Despite this, the couple went on to have ten children, three dying in childbirth, and they ended up becoming rather good friends even if they did not fall in love with each other. Their letters to each other confirm that they were at the very least, fond of each other, and they did their best to put on an outwards show of a normal marriage, albeit a marriage of politics.

Of their ten children, Lorenzo and Clarice would go on to produce the famous Piero de Medici (the Unfortunate) who was chased from Florence by Savonarola, and the future Pope Leo X.

Further Reading


Tuesday, 20 November 2012

The Pazzi Conspiracy

Giuliano de Medici by Sandro Botticelli

On 26th April 1478 the ruler of Florence Lorenzo de Medici made his way through his city to the grand Cathedral of Santa Maria del Fiore - more commonly known as The Duomo thanks to the great dome that topped the imposing structure. Lorenzo de Medici, known to almost everyone as Il Magnifico, ruled the city of Florence but not as a king; rather he insisted that he be called a simple citizen of Florence. Despite this though he was involved in the politics of the city, and nothing happened without his say so. Lorenzo himself really did live up to the name of Il Magnifico; he had taken over the reigns of power from his father Piero in 1470 and was a great patron of the arts - so much so that he ended up taking artists under his wing including Leonardo Da Vinci and the brilliant Michelangelo. He also made sure that the city was alive with parties and festivals. Topping this off, Lorenzo himself was an excellent poet, musician and swordsman with a love of philosophy and women - he wasn't exactly the best looking of men, but according to many of his biographers there was something about him that made him attractive to men and women alike. 

Bust of Lorenzo de Medici by Verroccio

The reason for his trip to the Duomo that day was the Easter Sunday service, and hundreds of Florentine citizens also flocked to the great cathedral including possibly a very young Niccolo Machiavelli and his family. Little were these people to know that they were about to watch one of the greatest conspiracies in Florentine history unfold before their very eyes.

Lorenzo's younger brother Giuliano had tried to make his excuses to not attend the service that day. He blamed ill health, and really his excuses should have held some sway as he suffered from a particularly nasty form of sciatica. But two of his friends, Francesco de Pazzi and Bernardo Bandini had insisted he come along and had even gone as far as helping him get out of the house and helping him to walk to the Duomo. What Giuliano did not know was that Francesco and Bernardo had done this deliberately - they had been planning this for months. And the younger Medici should have stayed in bed that day.

What was about to unfold would go down i history as the Pazzi conspiracy. The Pazzi family had long been living under the thumb of the Medici, both were ancient families and both were banking families but the Pazzi had begun to believe that it was about time the Medici were ousted from power, that their own family deserved some of the glory. The plot had originally been hatched in Rome, after Pope Sixtus had asked Lorenzo de Medici for a loan of 40,000 ducats so he could buy the city of Imola for his nephew Girolamo Riaro. Lorenzo had refused - it was a large sum of money that really his failing bank couldn't afford (Lorenzo hadn't really given much interest to the Medici bank) but not only that, he had hoped to buy Imola for Florence. Lending the Pope the money so it could fall into the hands of papal supporters wasn't exactly what Lorenzo had in mind. Pope Sixtus was furious, and so went to the Medici's rival bank for the funds. The Pazzi bank immediately granted the Pope his money, Sixtus gave Imola to his nephew and the Pazzi now had control of the Curia accounts. Relations between the Pope and the Medici grew even more strained when the Pope tried to oust Niccolo Vitelli from the town of Citta di Castello - this little town had been brought for Florence by Lorenzo's grandfather Cosimo and when Lorenzo raised a small army to help Vitelli, the Pope was seriously offended. War was barely averted. Lorenzo then offended the Pope even more by refusing to allow the Papal choice of archbishop for Florence into the city, and by starting an alliance between Florence, Venice and Milan which the Pope thought was aimed at himself. By the time 1477 rolled around there were a number of men in Rome who wanted to see the end of the Medici in Florence - Girolamo Riaro was one of them, Francesco Salviati (the archbishop who hadn't been allowed into Florence) and Francesco de Pazzi who believed it was time the Pazzi took power. 

Francesco de Pazzi then took the ideas for the coup d'etat to his relative, Jacopo de Pazzi of Florence. Jacopo was an old man and incredibly tight fisted when it came to money, but when Francesco approached him he said that the whole idea wouldn't work. He was also reluctant to show his support because one of his nephews was Lorenzo de Medici's brother in law. To convince Jacopo, Francesco decided to garner military support. And when Jacopo recruited a well known condottiero, Gian Battista de Montesecco, to the cause it seems all was on track. Unfortunately as this condottiero was also in the employ of the Pope, he said he couldn't do anything without papal support. Francesco convinced the man he was working for the good of the papacy and the condottiero agreed to help as long as they had the pope's blessing. This was duly given by the Pope:

"I do not wish the death of anyone on any account since it does not accord with our office to consent with such a thing. Though Lorenzo is a villain, and behaves ill towards us, yet we do not on any account desire his death, but only a change in the government."

Despite the fact that the Pope had said he did not desire any blood shed, the men left the audience convinced that Sixtus would consent to the murder of the Medici if they deemed murder necessary. Montesecco then rode to the Romagna to raise his troops before heading to Florence to speak with Jacopo. When Montesecco told Jacopo of the Pope's consent his mood towards the whole thing changed, and he agreed to help. The plot was then hatched. To start with, it was decided that they would invite Lorenzo to Rome and kill him and his brother there. But when Lorenzo headed to Rome, his brother wasn't with him due to his ill health. The plot was postponed.

It was then decided that the assassination would happen in Florence. Cardinal Raphael Riario had asked Lorenzo if he might be able to see the famous Medici treasures he had heard so much about, even going as far as to say he would be in Florence the following Sunday - he would combine his visit to the Palazzo Medici with High Mass at the Cathedral. When Lorenzo agreed and began plans to throw his distinguished guest a sumptuous banquet, plans for the murders began to take shape. It was decided that the time and the place would be during Mass at the Santa Maria del Fiore, as the brothers would be together at such an occasion. Monstesecco began to get cold feet and said his conscience would not allow him to kill the men in a place where God could see him, so instead the conspirators brought in two anti-Medici priests who were more than happy to help. They agreed on a signal, as the bell rang to signal the elevation of the Host they would strike. It would provide the best opportunity as everyone would be busy praying, they could dispatch their victims and get out quickly.

Unfortunately for the conspirators, it didn't go quite to plan.

As Giuliano was accompanied to the Cathedral by Francesco and Bernardo, Francesco hugged Giuliano in a friendly manner (a cover to frisk for weapons), and they continued on amicably. As they reached their destination, Giuliano took his place by the door of the Cathedral (he was too late to take his place at the front) and Lorenzo was already in place by the altar. Mass begins and the congregation falls silent and as the priest raises the host and the bell rings, all hell breaks lose in the cathedral. By the door, Bernardo Baroncellui had shouted "TAKE THAT, TRAITOR!" and stabbed Giuliano hard in the head. Francesco de Pazzi had then stabbed Giuliano over and over in a frenzy, and managed to stab himself in his leg as he was doing so. Giuliano fell to his knees as Francesco kept stabbing him, before he fell down dead with nineteen stab wounds. By the altar, the two priests who had been brought in at the last minute drew their daggers. One of them placed a hand on Lorenzo's shoulder as if to steady himself (a bit of a silly move really) and as the priest moved to stab Lorenzo in the back, Lorenzo turned around. Realising what was happening he jumped back, the blade only lightly wounding his neck. He then drew his sword and used his cloak as a shield before escaping into the sacristy.

As all hell broke lose in the cathedral, and following Giuliano's murder, many of the killers melted away into the crowds. Salviati had meanwhile managed to get an audience with the signoria, saying he had a message from the Pope. But the archbishop was nervous, and Petrucci (the gonfaloniere) called the guards after a couple of minutes having been made suspicious. Salviati then fled the Signoria, shouting that the time to strike had come. As in the Duomo, all hell broke lose in the Signoria but the massive bell began to ring , calling the citizens to the main square. Members of the Pazzi family tried to shout for support with their cries of "Liberta!" but when no support arrived, they filtered away. 

News of Giuliano's murder had by now reached the Signoria. And in swift, decisive reprisals, the Signoria threw a rope around Salviati's neck and chucked him out of one of the Signoria windows. They did the same to others who had tried to take over the Signoria. Francesco de Pazzi had escaped to the family home, but was dragged out still bleeding from his thigh and stripped naked. He too was hung from a window. The citizens of Florence raced to the Palazzo Medici and demanded to see Lorenzo, who stood at a window with a bandage around his neck. He begged the people to calm down, and not attack those who they merely suspected of murder. It was more important for them to help catch the real villains. The people took no notice though and rampaged through the streets, picking people at random who they wanted to have been involved and murdering them. 

Reprisals did however come to those who had been involved. Jacopo de Pazzi escaped but was brought back to Florence where he was tortured and hung out of one of the signoria windows. He was buried in the church of Santa Croce but not long afterwards he was removed from his tomb and dragged through the streets, his body was then thrown into the Arno, fished out and hung over a tree where children beat the body before throwing him back into the river. The two priests were found hiding, and were arrested. They were then castrated and hanged. Renato de Pazzi, although his part in the ordeal was never truly established was also hanged. Other members of the Pazzi family were sentenced to life imprisonment. Montesecco was the last to be caught - he was tortured and he gave his torturers a very detailed account of the whole conspiracy before he was beheaded. Baroncelli did manage to escape and made it to Constantinople before being recognised. He was brought back to Florence in chains and duly executed. 

As a lasting reminder of the conspiracy and what happened to those who had tried to murder the Medici, Lorenzo ordered an artistic representation be made of the whole ordeal. Sandro Boticelli was drafted in to create a huge mural which would show eight portraits of the leading conspirators. Those who had been caught would be painted with ropes around their necks, while Baroncelli (who at that point was still at large), was to be painted hung upside down hanging by his foot. And underneath each portrait, Boticelli would paint a short, mocking verse. Six months later, at the request of Pope Sixtus, the portrait of Salviati was obliterated. When Baroncelli was eventually caught and brought back to Florence, Leonardo Da Vinci was drafted in to repaint the mans portrait. Leonardo even did sketched of Baroncelli hanging in his famous notebooks. All Pazzi arms were also ordered to be removed from buildings and their property confiscated and no man who had married a Pazzi was ever again allowed to hold public office. The family had been completely and utterly disgraced, and the city of Florence would forever remember that the Pazzi family had been the ones who tried, and failed, to bring down the Medici family.

Drawing of Baroncelli by Leonardo Da Vinci


Further Reading

Monday, 12 November 2012

The Trial And Execution of Girolamo Savonarola

The Execution of Savonarola by Anonymous

I've been spending a lot of time recently researching Girolamo Savonarola recently, for particular reasons that will hopefully be announced soon as well as the fact that the man fascinates me. I don't really know why he does, as he was the man behind the terrible travesty known as the Bonfire of the Vanities but there is just something about his incredible self belief and his unwavering faith that has really pulled me in. And having just finished Death In Florence by Paul Strathern (review coming over the next few days), whilst I can't say I really like the man, I can now say I feel incredibly sorry for him and respect the little Dominican friar utterly. But why? As I mentioned previously, his incredible self belief and unwavering faith are partly to do with it but there is also something else. He endured torture bravely and approached his death calmly. If anything, Girolamo Savonarola became a martyr to his supporters in Florence and those who served with him in the Dominican monastery at San Marco. Today, I am going to write about Savonarola's trial and execution and I will warn you now, it does not make for light reading.

On the 8th April 1498, Fra Girolamo Savonarola was arrested within the church of San Marco, following what can only be described as a siege. The people of Florence had risen up against him following the botched "trial by fire" only a few weeks previously, and the ruling signoria (currently being run by men of the anti-Savonarola faction) had the excuse they were looking for to place the man on trial for treason and heresy. Previously, the city of Florence had hung on to Savonarola's every word and had believed the prophecies that he had made; he had even taken part in setting up the new government after Piero de Medici was exiled. But now it seemed as though the city was tired of him, and Pope Alexander VI wanted the friar out of his hair for good. Arrested alongside Savonarola were two other Dominican friars - Fra Domenico and Fra Silvestro Maruffi. Savonarola and Domenico were taken first, and Maruffi joined them the next day.

Savonarola and Domenico were placed in irons and marched to the Piazza della Signoria, where they were presented to the Gonfaloniere who asked them both if they still persisted in believing that Savonarola's words came from God. When they both replied that they did they were taken to separate cells within the palazzo and Savonarola was taken to the tiny room at the top of the tower known as the Alberghettino.

The Palazzo della Signoria, now known as the Palazzo Vecchio

The next morning, Savonarola was brought down from his tiny cell and there subjected to some initial informal questioning. As he had been arrested for both treason and heresy, he would now face everything that the law could throw at him. And that included torture. This ordeal would begin on the Tuesday. The man assigned as Savonarola's interrogator was Francesco de Ser Barone, also known as "Ser Ceccone" - after Piero de Medici's flight from the city this man had pretended to join Savonarola's following but in reality he had been an informant, sending ever word to the men who conspired to bring the friar to heel. The initial 'investigation' would last for just over a week and finish on 17th April, and despite the fact that Easter fell in this week, the interrogation was not stopped for these most holy days in the christian calendar. Instead, Savonarola was subjected to the strappado after being at first invited to make his confession. When he refused, his arms would have been tied behind his back and with use of a pulley he would have been lifted and dropped over and over again until he did confess. The method was ingenious because it very rarely proved fatal, it would have been agonisingly painful as each drop would have dislocated the victim's shoulders and a surgeon would have been on hand to pop the shoulders back in place before they could be dislocated again.

The Strappado

When news reached Pope Alexander VI that Savonarola had been arrested and subject to trial (which by the way was illegal - despite having been excommunicated, as a man of the cloth he should have been tried by the church courts) he was undoubtedly pleased. But he sent a message to Florence demanding that once they were finished with the man, he wanted him sent to Rome so he could be tried and tortured by the church courts. And whilst Alexander lifted the excommunication that he had previously placed on the city, the signoria were reluctant to sent Savonarola away from Florence as he knew intimate details of the goings on of their parliament, and their foreign policy. It would not do for the friar to give away such information that could be used against them.

The diarist Landucci recorded the following about the torture inflicted on Savonarola:

"Fra Girolamo was put to the rack (stappado) three times, and Fra Domenico four times; and Fra Girolamo said: 'Take me down and I will write you my whole life.'"

It should be noted though that there is no way that we can know how many times he was dropped, there are so many differing numbers given and no actual material evidence. The most quoted is 14, but Savonarola was incredibly frail so it is unlikely he would have been to put up with many drops before he said he would confess. But when he said he would write them his whole life if they stopped torturing, it wasn't enough for the Signoria - they wanted a confession of his heresy and his treason so they could have him executed. Following the torture, Savonarola admitted that he did not receive prophecies from God and that for all intents and purposes he had made everything up, and he justified his motives for everything he did - he said he wanted credit and he wanted reputation. However, Savonarola undoubtedly believed that he was a prophet and believed that he was receiving visions from God, that he believed he was working for the good of Florence. Was this Savonarola's way of trying to save himself? At any rate, the answers he gave did not constitute treason, so Ceccone pressed on and on, trying to outwit the friar. Still his answers did not constitute treason.

Girolamo Savonarola by Fra Bartolomeo

The Pope was still insisting that Savanarola and the other friars be taken to Rome, and still the Signoria held back on this. But Savonarola's confession wasn't enough, and the signoria decided that Savonarola should be tried for a second time although according to reports this did not use any form of torture. On 24th, Savonarola was told to sign his confession, some of which was written himself but other parts were written be Ceccone. The confession told of how he (Savonarola) had lost his faith in God, how he had sinned and how he had lied about his prophecies and visions. As Savonarola was signing his confession, the other friars brought in with him were also being tortured, and the torture faced by Maruffi broke the frail old man and terrified him out of his wits. Domenico however faced his ordeal bravely, and kept singing Savonarola's praises.

On the 5th May, the Signoria made the decision that Pope Alexander VI could send a papal commission to place the friars on trial in the ecclesiastical manner. They would however not allow the men to be taken to Rome as they believed that the men should be tried and executed in Florence. And so, on 19th May the Papal commission reached Rome and their own trial began the next day.

As the trial began, it became evident that Savonarola had regained much of his previous demeanour and he would obscure the truth from them, but without lying. The commission grew tired of this and demanded that the strappado be brought back out, and when faced with the rope Girolamo fell to the floor and cried out in terror, admitting that he had said what he had previously in fear of being tortured. Now, he was tortured again, despite the fact that the previous strappado sessions had rendered one of his arms useless. It is said that as he faced the prospect of the rope again, he raved and screamed; and in the transcript it is obvious that faced with terror Savonarola told the truth.

After two days of this, the commission retired and the signoria discussed the judgement. And as this was being discussed the commission sent a report to Alexander detailing most of what was said by Savonarola although some of it was kept hidden, likely to try and protect the Pope from what was perceived as great wickedness on Savonarola's part. And on May 22nd, Savonarola and his fellow friars were given the verdict - the very next day they would be stripped of their church membership and then they would be executed.

The method of execution would be the usual one for heretics - they would be burnt. But it would be slightly different to the burning at the stake normally done for such matters. The men would be hanged, and a fire set beneath their feet. The gallows and pyre was built in the piazza della signoria, on the very spot where the trial by fire was supposed to have taken place just weeks before; the stake was built to look like a cross. The people cried out that Savonarola was going to be crucified, and so the part making it look like a cross was sawn off.

At daybreak on 23rd, the three friars were lead out into the piazza and there were faced with three tribunals. The first stripped them of their membership in the church and removed their vestments. The second was an indulgence granted by Pope Alexander, forgiving them their sins and the third was where they were handed over to the secular authorities who confirmed their fate and then shaved their hair and beards. The men were then lead along the wooden walkway towards the gallows. Silvestro was the first man who was taken up and there the rope was placed around his neck and he was pushed off the ladder. The rope however was too short and not tight enough, so Silvestro dangled, slowly being strangled and repeating "Jesu" over and over again. This was of course done on purpose so that he and his fellow condemned would be able to feel the pain once the flames were lit. Domenico was next, and he went to the gibbet with a smile on his face, seemingly glad to meet his maker. Savonarola went last - he did not speak to the crowds and only muttered to himself as he walked towards his death - he did not say a word about his guilt or even his innocence - and then he too was hanged, though allowed to suffer slowly before the flames were lit. As the kindling beneath the gallows was lit, the fire spread very quickly and a wind blew, making the arm of Savonarola rise in the draft and look as if he were blessing those in attendance. Then the wind dropped again, and the flames turned into an inferno. Stones were thrown at the bodies as they burnt, making arms and legs drop into the flames, and guards surrounded the fire so that those present could not pick up anything that could be used as a relic. To make doubly sure that nothing would be left, as only the burning torsoes of the men remained, the gibbet was pushed into the flames.

Once the fire was out, the ashes were shovelled into a cart and taken to the Ponte Vecchio. There the ashes were tossed into the River Arno so that nothing would remain behind.

Further Reading
Paul Strathern - Death In Florence
Paul Strathern - The Medici
Desmond Seward - The Burning of the Vanities
Lauro Martines - Scourge and Fire: Savonarola and Renaissance Italy
Lauro Martines - Fire in the City: Savonarola and the Struggle for Renaissance Florence

Saturday, 10 November 2012

The Expulsion of the Medici

Lorenzo the Magnificent by Agnolo Bronzino

On 21st March 1492, Lorenzo "Il Magnifico" de Medici was carried from his palace in Florence to his countryside villa at Careggi, not far from the city. The reason? His health was failing fast thanks to severe feverish gout, an inflammatory disease that was the bane of the Medici family. Lorenzo had been ruler of Florence for over twenty years and despite mistakes he made later in his reign was a much loved and respected man, and an incredibly able politician. Mistakes were of course made - he allowed the Medici bank to run itself almost to ruin (something that would be completely finished when his son Piero took over), stole from the Florentine Signoria coffers when money ran low and worse still, stole from a public fund set up to provide dowries for penniless girls so they could be married. He and his men made sure the covered up as much of the thievery as possible by burning evidence, but rumours still circulated. Despite this though, the years that he spent ruling Florence were, for the most part, peaceful years.

Two weeks after he was taken to Careggi, news was brought to his bedside. The two famous lions that were caged in the city had mauled each other to death during a frightening storm - this was seen as a particularly bad omen as the lion was the emblem of Florence - and that same night lightning struck the famous duomo built by Brunelleschi, sending marble crashing down onto the pavement. When Lorenzo heard of this he demanded to know which side the marble had fallen and was told it had fallen on the north west side. He then said to his attendants, "that is the side pointing to this house...this means I shall die."

Brunelleschi's Duomo, Santa Maria del Fiore Florence

Lorenzo knew he was dying and so called his eldest son Piero to his side. Just as his father had done for him, and his fathers father before him; he passed on the secrets of the Medici family to his heir. He told his son to be unassuming in public and to remember the people of Florence although in time Piero would show just how little of this he had taken in. Once Piero had left it became evident to Poliziano, one of Lorenzo's favourites, that the disease that affected his body was now affecting his internal organs and so Lorenzo summoned Girolamo Savonarola to his bedside to seek his blessing, and grant him absolution from his sins. It seems that the great humanist was going back to religion and superstition in his dying days. What happened next is the stuff of legend - it is said that when Savonarola came to Lorenzo's bedside he demanded three things:

  • He asked if Lorenzo repented of his sins and adhered to the true faith. Lorenzo said he did.
  • He demanded that Lorenzo give up all of his wealth to which Lorenzo replied, "Father, I will do so or I will cause my heirs to do it if I cannot"
  • He demanded that Lorenzo give the Florentine people back their liberty. Lorenzo did not reply and turned his face away.
And on 8th April 1492, Lorenzo de Medici died. It is said that the entire city mourned the death of their leader and attended his funeral at the church of San Lorenzo. His son, Piero de Medici took over the reigns of government when he was just twenty one years old. The differences between Piero and his father were huge - where Lorenzo had been an astute politician, Piero really had no idea. And Piero was more interested in women and hunting than in the affairs of state. More so, he was arrogant and had none of the charm that his father had. Like this, the signoria of Florence was likely to turn treacherous, they needed constant attention and gifts from their ruler and needed to be approached with tact. Piero had none of this and completely misjudged the situation from the get go.

Piero's rule would last for just two years, and the constant mistakes that he made would earn him the nickname of Piero the Unfortunate.

Piero de Medici by Agnolo Bronzino

In 1494, the French King Charles VIII crossed the alps into Italy at the behest of Ludovico "Il Moro" Sforza. Previously, Savonarola had prophesised the coming of a new Cyrus who would invade the country and bring it back to God, and it seemed that he was correct, Charles VIII would be that man. Charles wanted Naples, and Ludovico promised that to him (because he wanted rid of the new Neopolitan King Alfonso, a relation of his nephew's wife and a man who it was said would exact revenge on Ludovico for his mistreatment of his nephew and wife). Ludovico welcomed Charles to Milan and after hearing nothing from Florence as to whether they would support Naples or France, Charles ordered his troops march into Tuscan territory. After Charles took towns and castles near to Florence, Piero made a decision - he rode out to the French camp where he was greeted coolly, he certainly was not greeted with the respect he thought he deserved, before agreeing to give the cities of Pisa and Livorno as well as promising Charles the use of the Palazzo Medici and 200,000 florins. 

It was those promises which sealed Piero de Medici's fate.

He returned to Florence two weeks later and when he arrived at the Piazza della Signoria, the door was slammed shut in his face. He waited uncertainly outside the Signoria as the massive bell rang (it was nicknamed "The Cow" due to the deep noise it made), and people from all over the city descended on the piazza. As Piero stood there wondering what was happening he was pelted with insults, stones and rubbish - eventually he decided the best thing would be for him to get away from the mob and hole himself up in his palazzo. And as he rode, the signoria were denouncing Piero and his family as traitors, saying that anyone who aided him would also be known thenceforth as traitors. 

Now, both Piero and his brother Giovanni (later Pope Leo X) were holed up in the Palazzo Medici and had to come up with a plan so they could escape Florence. And in the early hours of 9th November 1494, Piero rode out of the city with his wife and children and they travelled to Venice. Giovanni stayed behind a little longer, going through the Medici belongings in the palazzo and it is said he carried gold, jewels and coins to the monastery of San Marco while disguised as a Dominican friar. Did this really happen? Indeed the monastery had been refurbished thanks to Cosimo De Medici but it was now under the control of Savonarola who disagreed with everything the Medici stood for - be that as it may, many of the friars may have stayed loyal to the Medici cause and helped Giovanni hide the treasure that he was able to rescue. Once he had finished, he too fled the city. 

And on 10th November 1494 (518 years ago today!), the Florentine signoria officially banished Piero de Medici and his family, saying that they could never return. If they were to return, a price was put on both Piero and Giovanni's heads. And just over 30 years previously, their grandfather Cosimo de Medici had predicted that within 50 years the city of Florence would be tired of Medici rule, and they would be banished. Indeed, the Medici did not return to Florence until 1512 when Cardinal Giovanni de Medici returned to Florence as its ruler.

Further Reading

Friday, 5 October 2012

Caterina Sforza Part 2 - The Rome Years


Gina McKee as Caterina Sforza in The Borgias

As Caterina left her childhood home of Milan, she was accompanied on her way to Rome by a lavish parade. Caterina had brought with her 40 relatives and servants, and her new husband Giralomo Riaro added a considerable number of his own retainers to the parade. The archbishop of Cesena also joined them, bringing with him 13 of his own servants, the Governor of Imola with 12 men along with other local nobles, various musicians and ladies in waiting. The cavalcade wound its way through the Italian countryside, waving the flags of the Sforza viper along with various other livery and colours. This brilliant parade would have proven to be such a spectacle as it wound its way through the small villages. Along the way, the party were joined by more and more members including Gian Luigi Bossi, who came carrying specific instructions from Caterina's step mother Bona of Savoy. It seems like Bossi was to accompany Caterina all the way to Rome and make sure that the young Countess conducted herself properly. It really seems as though Bona cared for her stepdaughter's welfare - not only did she send Bossi to watch over the young Countess, but she also wrote ahead to each town that the parade would pass through to make sure that Caterina was made welcome. Only one town did not to do this because the party arrived much earlier than expected and so Caterina stayed in an inn which described as "pleasant". Everywhere that Caterina went, she was greeted with massive enthusiasm and huge affection. Caterina was certainly making a fantastic impression.

On the 1st May 1477, Caterina arrived in Imola where upon her arrival she was presented with the keys to the City. She and her husband were now the rulers of Imola, although at this stage her husband was still in Rome, and during her stay in her new City she was treated to a constant celebration. However, underneath all of the celebrations, Imola was at the centre of attention politically - Bossi had orders from Bona of Savoy to inform the city elders of the Sforza position on Taddeo Manfredi. Manfredi had previously been Lord of Imola until 1471 when he started to lose his grip on his subjects. He was too busy fighting with the rest of his family in Faenza and the city was just waiting to be taken over. Galeazzo Maria was the man who took over, despite the fact that both Florence and Venice were showing an interest, and he tried to get Manfredi out gently at first. Galeazzo extended Manfredi an invitation to Milan and then (after filling the man's belly with good wine and good food) offered him rather a lot of money if he would just simply give up his Imolese territory. By the time Caterina entered the picture as new ruler of the city, Manfredi was holed away in Milan but was constantly in the minds of the Imolese. And he would often become the centrepiece of revolt. One such example was following the death of Galeazzo when whispers and rumours began to spread that Manfredi would soon be back in his seat of power. The rumours reached the sharp ears of Bona of Savoy who swiftly dispatched messengers to the leading families in Imola, informing them that Giralomo Riaro had the entire support of the Sforza clan, and that it wouldn't be a good idea to reinstate Manfredi. They didn't want the Sforza family as their enemies after all.

All the while she was in Imola, Caterina heard no word from her husband. He was still in Rome, and Caterina spent her days waiting for the summons to arrive. Even Bossi noted her impatience and remarked to the countess of Milan that she was "desirous to find herself in the presence of His Holiness and to her her count Giralomo". Yet the summons did not arrive, and she found herself being delayed over and over. But why was this? Why did the summons not arrive?

An attempt had been made to assassinate Giralomo, the Pope's favourite nephew. It should be noted that Giralomo Riaro was rather adept at making enemies for himself including men of his own family (Giuliano Della Rovere being just one example!). Two men were arrested and confessed that they had been approached by a man on behalf of Della Rovere who offered a huge payment if they would assassinate Giralomo. Yet they also admitted that they never received the orders directly from Cardinal Della Rovere. The Pope, worried for his favourite nephew's safety, would not allow Giralomo to travel and also deemed that Rome was also too dangerous for Caterina. It seems though that Caterina was never given the true reason for this delay and was instead fed excuse after excuse by the Pope. He wrote to her and tries to blame bad air and plague, he blamed the fact that people would say he brought her to Rome to kill her, He blamed the heat of Rome and He said that he would not be able to put on a ceremony lavish enough for her out of respect for her murdered father. He then made promises to her that he would send her husband to her in Imola at the start of June.

Caterina, however, never received the letter from the Pope and instead took it upon herself to set out from Imola to Rome. And on24th May she arrived at Castel Novo outside the City. When news reached the Vatican, the Pope rushed to make sure everything was ready for her arrival. Gifts were prepared and the beautiiful halls of the Vatican were decorated with the Riaro and Sforza colours, in homage to the union of these two houses. On 25th, Caterina left Castel Novo, and was met outside the city by a group of horsemen, one of whom being Caterina's husband Giralomo. It would be the first time the couple had seen each other in four years. Giralomo had last seen Caterina when she was just ten years old. Now, four years later, he himself was ageing quickly and had ill health. Yet the couple dismounted their horses and embraced each other. Following lunch, the party moved onto the villa of the Cardinal of Urbino which sat on top of a hill just north of Rome. There, Giralomo presented his wife with a pearl necklace. But he did not stay with her that night as he was under strict instruction from the Pope that he was to return to the Vatican that evening, and that he must wait until the marriage had been formalised before he took Caterina to the marriage bed. The next day, Caterina began to prepare herself to walk into the City of Rome and see it for the first time. She was dressed in gold brocade and dark silk and her sleeves were covered in jewels. At the gates of Rome, she was greeted by a party of six thousand horsemen who accompanied her to St Peter's Basilica, and once there was shown to a place of honour as the Pope entered with the College of Cardinals.There, following the Mass of Pentecost, Pope Sixtus had Caterina and Giralomi brought before him and repeated their marriage ceremony. This was a marriage ceremony that no one could break, for it was solemnised before the head of the Catholic church. Following the ceremony, Caterina was then presented with a gift of pure white pearls from the Pope's own treasury. Following the marriage, Caterina and Giralomo took their leave of the Pope and the Cardinals and made their way to their new home in the Campo dei Fiori.


The Campo Del Fiore in Rome

Caterina Sforza was in Rome, her new home. And.. there, in her first few days in the city she was treated to splendours she could never have imagined. The courtyard of her new home was filled with guests and well-wishers, and gifts were piled high. Her wedding feats held at her new home was so spectacular that before each course a child dressed as an angel rode in on a chariot. She was now officially Giralomo Riaro's Countess, and would spend the next few years flitting between Rome and her lands in Forli and Imola. And most of all, she would grow into a young woman to be reckoned with.

As Caterina began to get used to Rome, she became more and more aware of all the dangers that the city had to offer. Each and every time she left her house she would have noticed groups of armed men wandering around the city. These men were hired retainers in the pay of a wealthy family, and paid to protect the family as they went about Rome on their daily business. Indeed, Caterina would have experienced this first hand and been accompanied throughout the city with her own band of guards. Yet she did not let this stop her and spent her time wandering the city, seeing the improvements that the Pope had made and getting to know her new extended family. She was also constantly partying and feasting, and became one of the most admired women in Rome. During this time her stepmother, Bona of Savoy became not only her mentor but also her source of fashion, and Bona often sent her gifts of jewellery and hairnets. With these Caterina became a style icon. However, despite her busy schedule of feasts and parties, Caterina still thoroughly enjoyed her riding and hunting, and Bona sent her and her husband a gift of hunting dogs. And Caterina spent much of her free time hunting outside the city, which she accessed across the Ponte Sisto. Her hunting grounds were in the forests of the Janiculum Hill, a place where she could escape the crowded city streets of Rome.


The Ponte Sisto (image credit)

Caterina had arrived in Rome by the time that Lorenzo De Medici (Lorenzo the Magnificent) had earned the displeasure of the Pope. The Medici, a famous Florentine banking family had been bankers to the Papal Court yet had earned the displeasure of the Pope by refusing to underwrite a loan for His Holiness. Thus Sixtus turned to the other great banking family in Florence; the Pazzi who immediately provided three quarters of the money the Pope needed for the sale of Imola. The Pope and Giralomo Riaro also had a plan to make a brand new state in the Romagna, yet Lorenzo provided soldiers to the towns in the Romagna who were trying to defend against Giralomo. And during the years that Caterina spent in Rome, her husband became involved in one of the most famous plots to ever effect Renaissance Italy - the Pazzi Conspiracy. The plot as hatched in 1478 as the Pazzi realised that Lorenzo de Medici was trying to use his power to block their work, and that the only way they could sort out this problem would be to murder Lorenzo and his brother Giuliano. The Pazzio recruited a number of conspirators including Giralomo himself. The plan was thus: the Pazzi family would take care of the Medici brothers while Giralomo would muster an army to help stop any rising that would happen against them. The plan also needed the go ahead from the Pope himself. Sixtus said that he desired a change in the rulers of Florence, yet flew into a rage when Giralomo even suggested murder. He was quite clear in his stance: He did not wish anyone to be killed, just a change in government. But for some reason, this was taken as papal consent, and this so called consent convinced the ruler of the Pazzi family, Jacopo de Pazzi that it was the right thing to do. The next phase was then worked out. Giralomo's nephew, Cardinal Rafaello Riaro, was invited to Florence - and with such an important man visiting Florence, the Medici would deliberately take pains to look after their guest. It was agreed by Lorenzo that Cardinal Rafaello would arrive in Florence on April 26 1478 and there would attend Mass in the Duomo. This was when the assassination would take place.


The Santa Maria Del Fiore, aka The Duomo, Florence

On that Sunday morning, the Pazzi arrived to bring Lorenzo and Giuliano to the Duomo for Mass. Giuliano was feeling unwell and so tried to excuse himself, yet Francesco De Pazzi practically dragged the young man along, feigning friendship and laughter. Once in the Duomo, the conspirators waited for their signal: the elevation of the host. As the Host was elevated, and the gathered congregation bowed their heads in reverence, Giuliano De Medici was stabbed in the head by Francesco and then stabbed over and over again. Lorenzo however managed to escape. And Giralomo never got to put his army into action.

The plot failed, and the majority of the conspirators were hunted down and executed. Sandro Boticelli painted the executed men as they hung on public display. Leonardo Da Vinci also sketched a few of the corpses.

Bernardi di Bandido Baroncelli, one of the Pazzi Conspirators by Leonardo Da Vinci

Cardinal Raffaello managed to get away with it, the Medici family making out he was but a hapless pawn in the whole affair. The Medici still kept him as a hostage, which was rather a good way to stop Rome from exacting revenge on the Florentines. He was held for 6 weeks and upon release, Caterina wrote to her stepmother requesting that Riaro be given the income of the Abbey of Chiaravalle near Milan. But was Caterina at her husbands side during these torrid times? She was very close to Lorenzo having spent time in his company in her younger years and grieved deeply for him when he died. And would her husband have shared such plans with his fifteen year old bride. 

Following the confession of one of the conspirators, a man by the name of Montesecco, Giralomo's part in the conspiracy became publicly known.. Of course, Sixtus would have been furious with his nephew. And with the ridicule that now haunted the steps of Giralomo, Caterina found herself bound to a murderer and included in the jokes of the Roman's. It was from this moment on that something changed within Caterina, and in the years to come would prove time and again that she would no longer stand by as such important events passed her by. Indeed, she would become a part of them. 

During Christmas in 1478, Caterina became pregnant with her first child. At the time her husband was frequently away fighting for his uncle and striking back at the Florentines, yet upon hearing the news that his young wife was pregnant purchased a new family home for them. The new home was located in the Piazza Navona.


The Piazza Navona as it appears today (image credit)

The child was born on 31st August 1479, and christened Ottaviano. His christening was an incredibly lavish affair, and attended by only the most high ranking Roman citizens, including Rodrigo Borgia - a man who would prove to be a thorn in Caterina's side as the years went on. Caterina recovered from the birth of her son quickly and was desperate to show off her little boy to her family in Milan. Yet bad news came back from Milan; it was said that Bona of Savoy had taken a young lover, a man by the name of Antonio Tassino who was a footman in her household. Bona shared the secrets of the Milanese court with her new lover and due to this Bona found herself in the centre of a bitter rivalry in her court, and her brother in law Ludovico (The Moor - due to his dark colouring) thought it a good time to introduce himself into the court of Milan. Ludovico used Antonio as a path to Bona, making out he wished to make peace with his sister in law. And on September 7th, Bona agreed to meet with her brother in law. Almost a year later, Bona was ousted from her place in authority and power was taken over by Ludovico, where he acted as regent for the young Duke of Milan, Gian Galeazzo. By the time that Ludovico had taken the reins of power, Caterina was pregnant again and just three months after she had given birth to her son!  During her pregnancy this time though, she had more responsibilities. The new palace in the Piazza Navona was almost complete and she had to oversee the sumptuous decorations that her husband was so instant on. 

On August 23, 1480, Pope Sixtus formally gave the city of Forli to Giralomo. Forli was a little town just south of Imola and thus doubled the Riario lands. And on August 24th, Caterina gave birth to her second son whom as christened Cesare.

Caterina Riario Sforza was now Countess of Forli, wife to the Pope's favourite nephew and mother to two sons. She was also becoming a woman to be reckoned with, and as she took her place as Countess of Forli she would prove to be an incredibly popular lady in her new town, and a woman who would prove to be one of the toughest women in Italy at the time. She was becoming a force to be reckoned with, and in the next few years would prove this beyond a shadow of a doubt.

Further Reading

Elizabeth Lev, The Tigress of Forli, 
Niccolo Machiavelli, The Prince
Paul Strathern, The Artist, The Philosopher and the Warrior
Ernst Breisach, Caterina Sforza: A Renaissance Virago
Christopher Hibbert, The Borgias and Their Enemies
Jacob Burckhardt, The Civilisation of the Renaissance In Italy
Christopher Hare, The Most Illustrious Ladies of the Italian Renaissance
Jacob Burckhardt, The Civilization of the Renaissance in Italy
Will Durant, The Renaissance: A History of Civilization in Italy from 1304-1576 AD

Friday, 14 September 2012

The Bonfire of the Vanities

Savanarola by Fra Bartolomeo

Giralomo Savanarola is probably one of the most famous people from Renaissance Italy, next to the Borgia and Medici families. He is best known as the preacher who fundamentally ruled Florence with his sermons, and the man who was behind one of the greatest atrocities in Renaissance history: The Bonfire of the Vanities. As a man, Giralomo Savanarola is fascinating and I will be doing a piece on him and his life in more detail soon. Today however, I wanted to do a brief post on the Bonfire of the Vanities - an event in which the supporters of Savanarola piled up all manner of famous works of art, books and fine clothing...and burned the lot.

Painting of Savanarola's execution, in the same spot where he had started the Bonfire of the Vanities

It was Lent, 1497. Giralomo Savanarola had already been ruling the city of Florence for many years, preaching to the people and almost brainwashing them into believing that their extravagant life's were sinful. He regularly packed out the Santa Maria del Fiore, famous for it's massive dome built and finished by Brunelleschi in 1469, where he delivered rousing sermons against the extravagant clothes and art that the Florentine people were famous for.

At the start of Lent Savanarola sent a band of innocents around the city to collect up what he called 'vanities'. These innocents, known as the 'blessed innocents' were groups of children who up until then had walked around the city dressed in robes of purest white and singing the praises of God. They had previously been barred from a number of streets in the city when it became apparent that some Florentine's didn't actually support the friar. However this time they had armed guards with them and every vanity that they could get their hands on were piled into a huge pyramid in the middle of the Piazza della Signoria (as seen in the painting above of Savanarola's eventual execution, but this will be covered in more detail in later posts).

At the very bottom of the pyramid were items such as wigs, false beards, pots of rouge that women used to redden their cheeks and perfumes. On top of that were books that Savanarola and his followers considered to be 'Pagan' - these were all important historical works from Greek philosophers, books of poems by Ovid and Petrarch, works by Cicero. Next came paintings, drawings and bust sculptures of subjects considered profane. Included among these were works by the famous Sandro Boticelli, who is said to have been a follower of Savanarola and abandoned his paintings to follow the friar. Next were musical instruments, sculptures and paintings of naked women. And right at the very top of the pyramid were sculptures of Greek Gods and mythical legends. This was then finalised by an effigy of Satan, reigning over these sinful items. It is said that this model of Satan was given the face of a Venetian man who had offered to buy the items for 22,000 florins. This can only hint at the worth of all the items together, and I can only imagine that such works of art were worth much, much more.

The Palazzo Veccio, Florence.

The bonfire was lit on Shrove Tuesday, 7th February. As the entire signoria assembled from the balcony of the Palazzo Veccio, flames began to lick up the pyramid which by now was now over sixty feet high, and the crowds surrounding the massive bonfire singing a Te Deum.

This event divided Florence even more than it already was. The people were turning against Savanarola, and Piero de Medici ended up leaving Florence and heading to Rome where he received the blessing of Pope Alexander VI to lead an army against the city. Yet even as the army approached, the majority of Florentine citizens did not want to return to Medici rule (they had been ousted from the City during the early part of Savanarola's "rule"). Piero returned to Rome, not as the victor he envisaged.

Savanarola's reign of religious tyranny (for want of a better word), would start to decline in June 1497 when Pope Alexander VI issued a papal bull excommunicating him from the Roman Catholic church. Yet when Savanarola continuted to preach in the Santa Maria del Fiore, the signoria tried to ban him from preaching and riots occasionally broke out.

His reign would not come to an end until 1498 when he was arrested and made to prove that he had a special relationship with God. When he failed he was jailed in the Bargello before being tortured and eventually executed. But that's for a different post.

For now, all I can do is feel the huge loss of so many works of art lost to Savanarola's flames. This really was a crime against the art that was created during the renaissance, and from my reading of Savanarola I have to wonder how anyone could condone doing something like that? A crime yes, but certainly a very interesting event in the history of both the fascinating man and the beautiful city of Florence.

Further reading

Donald Weinstein, Savanarola: The Rise and Fall of a Renaissance Prophet.
Lauro Martines, Scourge and Fire: Savanarola and Renaissance Italy
Paul Strathern, The Medici: Godfathers of the Renaissance
Paul Strathern, The Artist, The Philosopher and the Warrior
Paul Strathern, Death In Florence: The Medici, Savanarola and the Battle for the Soul of the Renaissance.
Christopher Hibbert, The Borgias and their Enemies