Showing posts with label television. Show all posts
Showing posts with label television. Show all posts

Saturday, 22 December 2012

Rome: A History of the Eternal City


I started watching this a couple of weeks ago after seeing a conversation on twitter. I watched the first couple of episodes of Rome: A History of the Eternal City and loved them from the outset. The first episode told the story of Ancient Rome and it's emperors with the introduction of Christianity and the second episode dealt with early Christianity and the beginnings of the Roman Catholic church. I will be honest and say I enjoyed the second episode much more as it was starting to get more into my area of interest and I may have had a bit of a moment when the presenter mentioned the Theophylact popes. And that's because as you're all aware, I have a little bit of a thing for the history of the Catholic church and have started spending more and more time reading about it. I'll also admit that when I read "The Bad Popes" by Russell Chamberlin (which also spoke about the Theophylact Popes as well as my favourite renaissance bad boys Alexander VI and Julius II) I may have had one heck of an internal flail about how much I love the history and corruption of the church. Any way, I'm going off on a tangent and I should probably should get back on track.

The series is presented by the brilliant Simon Sebag Montefiore (please do go follow him on twitter, cuz he's a top bloke!), author of such books as Jerusalem and "Catherine the Great and Potemkin". In the series, Montefiore goes to Rome both as historian and tourist to spread some light on the history of religion in the City, and he does an absolutely outstanding job. As a presenter Monterfiore is engaging and, unlike some presenters I've seen on historical documentaries, brings the subject to life. It was refreshing to actually sit down and watch a historical documentary and not be bored completely to tears.

The third and final episode in the series concentrated mainly on the Renaissance Popes, and watching it I was completely in my element. The episode starts in around 1350, with the city of Rome turned from a bustling city to a dirty little backwater. Rome now had no Pope, they had fled to Avignon where the Papacy came under the control of the French King, resulting in a succession of French Popes. And with no Pope in Rome, crime ran rife as the city came under the control of two families who would become well known in Renaissance history: The Orsini and the Colonna. And as these two families ruled the city, the poet Petrarch wrote that the city had become "the rubbish heap of history". Montefiore gave some interesting figures in the first few minutes of the episode - in the mid fourteenth century the population of Rome was just a mere 30,000 residents as opposed to nearly a million during the time of Imperial Rome. Yet Rome was rescued by a woman by the name of St Catherine of Sienna. In 1370, at the age of 23 and completely heartbroken at the downfall of Rome, believing that the Pope had betrayed Christianity by abandoning the City. And so she bombarded Avignon with letters, yet despite the letters he showed no signs of returning and so she went to Avignon herself to beg him to return. In 1377, the Pope returned to Rome after 70 years of his predecessor's exile.


Montefiore then goes on to show the audience the largest private palace in Rome, and a palace that is still owned by the Colonna family (I had thought they were all gone, but it seems I was wrong) and has been for the past 700 years. This family, who at one point had been one of the two major warring families in the city (and in all honesty still were, the feud with the Orsini was incredibly long standing) ended up helping to fully restore the papacy to greatness in 1417. And they did so by having one of their own family members elected to the Papacy. An interesting thing I never knew until watching was that in the Colonna palace there is a chair which sits in the throne room, a mark of respect to the family Popes - when a member of their family is Pope, it gets turned to face the correct way. When someone else is Pope, the chair faces the wall.


The main reason I got very overexcited about this episode was the sheer fact that the Borgia family would be mentioned. And as soon as I saw the defaced insignia of Alexander VI on the side of the Castel Sant'Angelo I might have squeaked out loud. 



Montefiore starts the Borgia story with the story of Calixus III, or Alfonso Borgia who was elected in 1455. He was the man who raised his nephew, Rodrigo Borgia, to the cardinalate. And Rodrigo Borgia would go on to be known as one of the most corrupt Pope's in history.


The majority of the segment on the Borgia family was taken up with the infamous Cesare Borgia (my lovely lovely Cesare, completely vilified and totally not as evil as he's made out to be).


There were a couple of moments in the parts about Cesare that made me go "hmmm, really?"
  • That he "probably murdered his brother". The rumours that Cesare murdered Juan didn't surface until over a year after Juan's death, and they spread from Venice where many friends of the Orsini family were based. The Orsini were the most likely perpetrators, and Cesare wasn't even thought of as a suspect until long after it happened.
  • That Cesare's victims were found dead in the Tiber every morning. Erm, ok. I'd love to know where this came from, as all told Cesare didn't really kill all that many people. Those he did kill either really peed him off (Alfonso of Aragon any one?) or killed as part of his takeover of the Romagna. I have only come across a couple of stories about Cesare having people killed and chucked in the river - Lucrezia's lover Perotto and her maiden Pantisilea; and a second story which I can't remember off the top of my head but will update when I do remember (It's late, and I'm tired, forgive me?)
I was however very impressed at the amount of Borgia information crammed into such a short segment. You had the story of Cesare being used as the model for Machiavelli's Prince (great book, everyone needs to read it) and my most favourite story of Borgia debauchery - the Ballet of Chestnuts, in which a number of er...courtesans were brought into the Vatican, chestnuts were scattered on the ground and the women had to pick them up in their mouths. The men were then let loose among them, and the man who performed the best was given a rather expensive pair of gloves as a prize. Excellent!

The remainder of the the episode concentrated on the Renaissance artists and the further Popes such as Julius II. I really loved the part on Michelangelo and the Sistine Chapel, and one day would love to stand in an empty chapel as Montefiore did, just to look at those magnificent frescoes. And the final aspect of the programme concentrated on Rome leading up to the modern day, it's affect on the Papacy and how the Vatican ended up becoming the world's smallest country of just 0.2 square miles.

All in all an absolutely astounding series and I'm really glad I sat down and watched it. I am highly impressed with the history shown in the programme and I certainly learnt a lot from watching it. If you can, then please do catch up with this brilliant little series on Iplayer.

Also, visit Simon Montefiore's website and twitter.


Saturday, 17 November 2012

Los Borgia


This evening I sat myself down with a large glass of pink lemonade, and curled up to watch Los Borgia. I've been a fan of The Borgias pretty much ever since it first started and although I love the series more than anything the lack of historical accuracy in the series has been known to make me rage and scream at my television. For instance, in season 2 of The Borgias you see Juan Borgia at the Siege of Forli - now, the siege of Forli happened in 1499 when Juan had been dead for two years, and it was Cesare who commanded the armies and who took Caterina Sforza prisoner. Oh, and Caterina didn't do the whole "ten more sons" thing at the siege in 1499 either, she apparently said it in 1488 after the death of her first husband Girolamo Riario.  Both series 1 and 2 tend to do this, and the mistakes in the historiography are just too many to count. Now, I know it's a drama series and made to give that dramatic kick in the balls to make the whole thing seem much more exciting but honestly, the story of the Borgia family really doesn't need any fabrication or stuff changing around.

Now then, when I first heard about Los Borgia I was a little put off as it is entirely in Spanish. However, having sat down and watched it I am so, so glad I did. I will start by saying that the casting was almost perfect. The young man who played Cesare, Sergio Peris-Mencheta, was nigh on perfect and really captured the essence of Cesare Borgia. As the programme went on you saw him change from a young man who didn't want to wear cardinals robes to a man growing into his role as soldier and general, his obsession with glory. Each and every actor or actress brought something to their characters that made you feel something for the character - I adored Lucrezia and her innocence, Juan was ambitious and arrogant as I imagined him in history, Caterina Sforza was like a tigress. To me, the cast was almost flawless. 

What was even better was that the script kept as close to the history as it could. Alright so there were things that had to be glossed over or missed out due to the 2 hour timescale, but they showed each and every one of Lucrezia's marriages (with none of these ridiculous random suitors like in The Borgias) and Alfonso of Aragon was actually the correct guy in this one (in The Borgias, Sancia's brother gets horrifically murdered by Charles VIII and Alfonso D'Aragona ends up being someone completely different when in reality he was actually Sancia's brother), Juan isn't shown as stabbed and chucked in the Tiber by his brother - rather you see him ride away with a masked man and then found in the river the next day, The Siege of Forli is shown with the correct brother heading the army and at the correct time and the script made it clear that the rumours saying Juan was killed by Cesare were rumours; and made sure that the audience knew the incest thing is based on vile rumour also. As well as this, I thought they dealt with Cesare's death exceptionally well, sticking as close to what actually happened as they possibly could - he ended up alone, dressed in light armour, and was ambushed. He was stabbed from all sides and then stripped and left naked and bleeding. The men who killed Cesare had no idea it was actually him, until Cesare's squire was shown his armour and the young lad burst into tears. The script dealt with his death really well, and the show finished with a shot of Cesare lying dead, pierced by spears and holding a necklace given to him by his sister. Brilliant cinematography that had me reaching for the tissues.

If you are interested in the Borgia family and want to watch a television show about them that is a lot more historically accurate and less dramatised than The Borgias (which I do adore by the way), then I would wholeheartedly recommend Los Borgia.

And now for some screencaps. Enjoy!

Cesare

Cesare, Jofre, Lucrezia and Juan

Cesare sparring with Micheletto

Cesare and Juan eyeing up Sancia

Juan, about to go off and be a rubbish soldier

Lucrezia and Cesare

Cesare with the body of Juan's groom, who was stabbed on his way to fetch Juan's armour

The body of Juan Borgia, 2nd Duke of Gandia

Pope Alexander VI and Lucrezia

Lucrezia

Cesare's sword was inscribed with the words Caesar Aut Nihil which meant "Caesar Or Nothing"

Cesare and his sword

Cesare, about to head off and be an awesome soldier

Lucrezia giving her brother a helmet

The Pope, about to be handed letters infused with Cantarella from Caterina Sforza. In reality, these letters had been infused with the plague.

Cesare, being an awesome soldier

Caterina Sforza defending Forli

Cesare and Lucrezia

The Pope

The funeral of Alfonso D'Aragona

Vanozza Cattanei

Lucrezia basically telling Cesare to go away because he killed her husband

Cesare suffering from the same illness that killed his father, and Lucrezia (who is in Ferrara) all worried

The death of Alexander VI

Pope Julius II

Cesare looking across the hills of Navarre, Spain

Cesare is said to have worn this mask to disguise the deformities on his face from syphillis

Cesare and his young groom

Cesare and his groom

Taking on the soldiers, ON HIS OWN

Stabbed

The death of Cesare Borgia, Duke of Valentinois and Duke of the Romagna