Friday, 30 November 2012

Caterina Sforza Part 6 - The Siege of Forli

Gina Mckee as Caterina Sforza at the Siege of Forli

My last entry on Caterina Sforza was a while ago, and for that I apologise. The Renaissance in general has just taken over my life recently, and in particular the goings on in Florence as well as general Borgia stuff. So today, I thought I would combine Caterina Sforza and my most favourite of Borgia men - Cesare Borgia. Today's post is a rather big jump in time from my last entry which covered the events of 1488, the death of her husband and her holding of the fortress of Ravaldino against the Orsi family. Today we jump forward to 1499, and in particular December of that year, when Cesare Borgia rode into Forli and began to besiege the town.

On 19th December 1499, Cesare Borgia rode into the main square of Forli sat upon a white horse, his men carrying the banner of the Borgia Bull. Borgia had previously been a Cardinal in the Roman Catholic Church but after the unfortunate and untimely death of his brother Juan in June 1497 he was released from his vows. In 1498 he had travelled to France where he married Charlotte D'Albret and was given the Dukedom of Valentinois, which earned him the nickname of "Valentino". By the time Cesare had reached Forli in December 1499, he had already begun his quest to take over the States of the Romagna. The taking of Imola and Forli was the first step in this, and Imola proved no obstacle to Cesare. He took it without a problem on 11th December before riding to Forli which would prove an obstacle to the Captain General of the Papal armies. Why? Because Caterina Sforza was not going to give up her town without a fight. 

Paz Vega as Caterina Sforza in "Los Borgia"

Yet when Cesare entered the town on 19th December, he was so assured of victory that he rode with his lance at rest, a symbol of the victory he had supposed. He knew that Caterina would hold the castle, but the town proved to be no issue at all. He allowed his soldiers to do as they wished - plundering and raping - he made no effort to stop them despite the pleas from the townspeople, using the excuse that the soldiers were under the control of the King of France so he had no right to try and stop them. Instead, he promised the citizens of Forli that if he survived the upcoming battle with Caterina and her soldiers, he would give them back anything that they had lost due to the looting soldiers. 

But what were the reasons behind Cesare taking these cities? Not only did Cesare want these lands for himself, as a building block for his own principality but the Pope wanted to stamp out the resistance to papal rule. These lands were part of the Papal states and as such their rulers were required to pay an annual tithe to the Papal coffers. Alexander VI began to make out that these rulers hadn't been paying their tithes, and needed sorting out. Add into this an incident which would have turned rather nasty, and it ended up as a recipe for disaster. When Caterina first learnt that Pope Alexander was planning to confiscate her lands, she is said to have sent a messenger to Rome by the name of Tomasino de Forli. Johannes Burchard reported:

"On that evening (that Cesare left Rome), a certain Tomasino of Forli, one of the Pope's musicians, was seized with a companion and taken to the Castel Sant' Angelo where they were both imprisoned. Tomasino had come to Rome with some poisoned letters which he had rolled up in a reed to present to the Pope, on the excuse that they were petitions from the citizens of Forli seeking some reconciliation with His Holiness. Had the pope accepted the letters, he would, after a few days or even hours, with no hope of remedy, have succumbed and died...But the details of the conspiracy came to the pope's ears. On his orders, the two men were arrested and questioned, and they plainly confessed the whole plan."

Probably not Caterina's greatest moment, but she still refused to give up. And she had managed to rebuff Cesare on at least two occasions from the battlements of Ravaldino. On December 27th, having become frustrated by Caterina's refusal to listen to his demands and the growing respect that his troops were gaining for her, he ordered a tunnel be dug under the moat to the castle walls. He then ordered cannon to be placed around the keep of Ravaldino. He had had enough, and he would blast her out if he had to. 

Being given the poisoned letters in "Los Borgia"

On 28th December, Cesare gave the orders to begin bombarding the fortress of Ravaldino. The first phase of bombardment destroyed one of the fortresses defencive towers but Caterina still stood firm. She moved into the main keep and began returning fire, which devastated Cesare's troops and killed his artillery expert Constantino de Bologna. The death of this man really shook the morale of the troops and the french soldiers cried out that their king would give 10,000 ducats to bring Bologna back to life again. In the end, Cesare grew so desperate that he began offering a thousand ducats to any man who could bring him the corpse of Caterina's own artillery expert, or two thousand if the man was brought to him alive.

In a very clever ruse one January morning, a group of men dressed in cloaks came chanting through Cesare's camp. They said they were pilgrims on their way to Rome to celebrate the Holy Year and promised that they would pray for any who let them pass through in safety. The men made their way towards Ravaldino, the drawbridge came down and they went inside, giving Caterina another 40 men to defend the fortress. By now, the situation was getting dire for Cesare - he was waiting for money from his father to pay his troops and had received word that Giovanni Sforza had almost intercepted the chests of money. In response he concentrated all his firepower on the weakest section of the walls, the southernmost edge facing the mountains and he spent two days building trenches and fortifications to make sure he breached the wall. And as soon as the troops who had been inside the city returned from celebrating the feast of the epiphany, the assault began again. He battered the walls of the castle day and night, and slowly the walls began to crumble. But Caterina still held her ground, sending her men to try and repair the breaches as best as they could and worked at destroying the morale of Cesare's troops - even going so far as to paint insults on their own canon balls. But pieces of the walls kept on falling, creating a pathway across the moat.

On January 12th, the pay for his men had arrived and morale had stepped up when he offered incentives to his men if they worked harder to take the fortress. They threw everything they had at the now super weak wall, tearing a massive breach. The debris that fell from the widening hole in the wall made it too difficult for the defenders to repair it, as did well timed and well placed shots from Cesare's own cannon. Following a lunch with his commanders in which he boasted he would soon have Caterina in his hands, he issued an order to take the fortress. And as his men poured into the fortress, no shots greeted them, and the defenders did not even dare to greet Cesare's men head on. They had begun to desert their countess, and one brave man climbed to the top of the fortress to replace Caterina's standard with that of the Borgia bull. Forli now belonged to Cesare Borgia.

But Caterina still would not be beaten. She strode out of her keep and fought side by side with her remaining men. As her commanders fell around her, she fought her way back to the keep and locked the doors behind her. And she began to prepare for a siege. Cesare however, now fully confident of his victory had his trumpet signalled, calling Caterina out to him for the third and final time. He acted concerned, begged her to stop this madness. She replied that if he was so concerned he should show mercy to her townspeople. But before she could say anything more, a hand fell on her shoulders and she was told that she was now a prisoner of the lord of Dijon. She had been betrayed by men who had been inside the walls of her own keep. 

Cesare now bided his time before entering the keep properly, waiting for the last remnants of his enemies to be subdued. But once he entered, the french captain demanded his reward from Cesare for capturing the countess. Cesare ordered that the man be paid 2000 ducats but the captain replied that Cesare had publicly promised 10,000 ducats. The captain then threatened to slice Caterina's throat if the full amount was not paid. Yves D' Allegre also pointed out that under French law no woman could be held as a prisoner of war which was what she would be if she was handed over to the Borgia. Cesare insisted however that she be handed over to him for safe-keeping and promised that she would be kept safe. Once she had been handed over however, Borgia bustled her out of the keep and through the carnage surrounding her castle.

She would then be taken to Rome where she would be held as prisoner but not before, it is said at any rate, Cesare held her in the castle of a local nobleman and raped her. This part of her history, along with her imprisonment in Rome, however is the next part of her story. But for now, the famous Tigress of Forli had been beaten by the Borgia Bull.

Further Reading


Thursday, 29 November 2012

Borgia Season 1


As I sit here this morning, I am feeling rather sorry for myself. For the past two days I've been off work with a nasty sicky bug and so am sat here wrapped up in my PJs with a massive mug of tea. It's not helping much and I feel like I should still be hugging the bowl I was hugging for the entirety of yesterday. Now, I realise that's really too much information but it has a point. As I was curled up on the sofa last night, hugging my bowl and running off to the toilet every so often to make best friends with it, I decided to finish watching Borgia. Before I started watching this series, I will admit I was a little put off by some of the reviews I'd read and the things people told me - "don't watch it Sam, it's really inaccurate", "It has Cesare and Lucrezia incest". I wish I had gone into watching the series with my eyes open as when I started watching it, I really wanted to hate it. However, after a few episodes it really did begin to grow on me and a few episodes after that I really started to enjoy it.

So, Borgia itself is a French/German production that was shown in 2011 on Channel + and stars Mark Ryder as Cesare Borgia, Stanley Weber as Juan Borgia, Isolde Dychauk as Lucrezia Borgia and John Doman as Rodrigo Borgia. The story itself is, of course obvious - it is the story of the Borgia family, from Rodrigo Borgia's election to the Papacy in 1492 and onwards (I hope in future series) to the Pope's death and Cesare's own imprisonment and death. When I first began to watch the series I was a little unsure about the casting of the show, and the first thing that really got to me was the huge mix of accents - Rodrigo was American, Cesare was English (with the odd lilt of Irish coming through), Lucrezia German and Juan was French. It was kind of off putting for a while, but a few episodes in I was able to look past it. Other than this though, after a few episodes as well I found myself really liking some of the characters and really hating others - as you would expect in such a television programme. I had exactly the same issue when I watched The Borgias and Los Borgia, and I think when actors manage to make their viewers love the characters or hate them to such an extreme, then they are doing a good job.

Mark Ryder as Cesare

Mark Ryder is the young man playing Cesare Borgia (and I'm allowed to say young because I'm a little bit older than him!) and right from the get go you can really see that Ryder has done his utmost to step into Cesare's shoes and get right into the man's psyche. A consequent conversation with Mark Ryder on twitter the other evening lead to a discussion on books about Cesare which was awesome. Anyway, even in the first episode you can see the extreme emotions that haunt Cesare - one moment he can be having a laugh and the next he can be in a murderous rage, and these extremes get even worse as the series goes on, finishing up in Cesare committing murder right in front of his father and the college of Cardinal's and claiming that his name will echo throughout history and shouting that he is "CESARE BORGIA!" whilst just moments before he had been in floods of tears with his sister. In history, Cesare was well known for these extremes of emotion, I thought that Ryder did a really excellent job of showing this side of Borgia's personality. 

Isolde Dychauk as Lucrezia

Lucrezia is played by Isolde Dychauk. The character of Lucrezia in this was one that I started out really disliking, probably because her parts of the story were really quite inaccurate. Saying that though, by the end of the series I had begun to like her - you see Lucrezia go from this innocent young girl to a woman with her own thoughts and minds, to a woman who will do anything to protect her family. Although her story was hugely inaccurate, I really loved how the script showed her change. Plus, when you compare Isolde to the representation of Lucrezia in Pintruccio's murals, they really did a very good job in casting her. 

Marta Gastini as Giulia Farnese

The character of Giulia Farnese is the character who I probably hated the most in the whole series and right from the get go. Played by Marta Gastini, Giulia was shown as a nasty, manipulative little girl who came across as obsessed with keeping Pope Alexander to herself. In all of my reading on the Borgia family, I have come across very little on Giulia but what I did read pointed out that Giulia was actually quite a nice person and friends with Lucrezia. I have also never ready that Giulia used Pantisilea to try and manipulate Lucrezia and gain more love from Rodrigo. However Gastini did a really good job as coming across as nasty and manipulative and even though I despised her character, it takes a really good actress to make a viewer hate them quite that much.

John Bradley as Giovanni de Medici

Cardinal Giovanni de Medici played by John Bradley (Sam Tarley in Game of Thrones). I loved this casting from the outset. Giovanni de Medici was the son of Lorenzo the Magnificent and made a cardinal in 1492 and was known as a man who loved the pleasures of the table. Top notch casting here, and Bradley is a top notch actor too!

Mark Ryder as Cesare and Stanley Weber as Juan

Played by French actor Stanley Weber, I absolutely despised Juan Borgia in this adaptation. And I really think I was supposed to. Whereas in The Borgias I felt quite sorry for Juan, in Borgia I hated the man with a passion and thought he was the world's biggest derp. And it was awesome. Why? Because in history, Juan Borgia 2nd Duke of Gandia was a massive derp and a bit of a failure. There is no doubt that Cesare was the better man that he, and that if anyone should have been the one in Cardinal's robes, it was Juan. However, the series dealt with Juan's death really very well and (almost) sticks to the facts - you see him ride off in search of further pleasures with another man; and he is never seen again. His horse returns with the saddles cut, and a search begins in earnest. When they find his body floating in the Tiber with 9 stabs wounds and a slit throat, Pope Alexander flies into a paroxysm of grief and investigations begin into who killed Juan. Alright so in history we won't ever know who killed Juan, but historical investigation shows that the most likely candidate was the Orsini family who Juan really managed to piss off. It wasn't likely to have been Cesare but rumours abounded due to the apparent jealousy between the siblings; and whilst I was rather pleased they did not show Cesare offing his brother I was a little shocked that they showed Lucrezia as the guilty party. Still, well done to Weber for getting into the character of Juan and in my opinion, doing a damned good job of it!

John Doman as Rodrigo Borgia and Isolde Dychauk as Lucrezia

The last character I want to discuss in a bit more detail is Rodrigo Borgia/Alexander VI played by John Doman. When I first started watching the series I was a little taken aback by their portrayal of Rodrigo, mainly because of the whole accent thing. But like with many of the other characters, I soon found myself really liking their portrayal of him. He certainly looks a lot more like Pope Alexander than Jeremy Irons (although I adore Jeremy Irons as Pope Alexander and he's become affectionately known as "Pope Irons"). Yet again, the extremes of emotion showed by Doman were second to none and I particularly loved his show of grief after the death of Juan - it was so well done that it almost moved me to tears.

The sets during the show were also top notch. I was particularly impressed with their depiction of the Sistine Chapel:

The Sistine Chapel

Having been to the Sistine Chapel I was really rather impressed in the set used here. They even got the ceiling correct, which in 1492 hadn't been worked on my Michelangelo, rather it was painted blue with stars. The detail shown in the chapel was just stupendous. In fact, the majority of the sets were done in such a way right down to the CGI of what Rome would have been like in 1492.

A brilliant CGI rendering of Rome as it would have been in 1492

The old basillica of St Peters, not the one that exists today

Beautiful set pieces

Alessandro Farnese at Orvieto

The churches and chapels were superbly done

Another brilliant CGI rendering of the approach to Rome

The Colosseum

Laocoon and His Sons - this wasn't excavated until much later (and Michelangelo was present) but I thought it interesting they put this in the show. And the copy of this amazing work is second to none!

Whilst the historical accuracy of parts of this series leaves a lot to be desired, I have to say that I am very pleased that they got the chronology of what happened mostly correct. Of course, you need to leave room for dramatic license and I can understand this there were a couple of parts that made me shake my head. First of all, and probably the biggest crunch for me was Cesare leaving his young son on a mountainside to die - dramatic license yes, but I have no idea where the writers got this idea from. Secondly, Cesare being raped by Marc Antonio Colonna. Well done yes, and done for dramatic license but again, I have no idea where they got this from. In my opinion, it added nothing to the story as this never happened. In the same way, although this is a tad more understandable, they have Juan's death in 1493. This actually happened in 1497. I can however understand why they have done this and at least they didn't have it happen after events that Juan was never at anyway. Such as the Siege of Forli which happened in 1498 - although The Borgias had it happen much earlier with Juan at the head of the army. Didn't happen. These little things however are easily able to be overlooked and I am really glad that I decided to watch this show. I was rather disappointed by the make-out session between Cesare and Lucrezia though - although the script makes it clear that this is based on rumours so they might as well prove everyone right. Thankfully it didn't go very far but I was cringing throughout that entire scene (and as you will know I have fought the NO BORGIA INCEST fight for a while, so anything that shows it just makes me go all fhjsdkhfjsdfhsdkfdsk).

Excellent casting, beautiful costumes and a story that tries as best it can to stick to the historiography. I will most definitely be watching Season 2 when it comes out. If you're interested in the Borgia family and looking at watching something on the family for a bit of drama, then I would highly recommend this. It's not perfect of course, but they give it a damned good go. 7/10.